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Thirteenth Hour: Cosmic Pulses, electronic music, Nr. 93 (2006–07) Fourteenth Hour: Havona, for bass voice and electronic music, Nr. 94 (2007) Fifteenth Hour: Orvonton, for baritone and electronic music, Nr. 95 (2007) Sixteenth Hour: Uversa, for basset-horn and electronic music, Nr. 96 (2007)
The writer may implement foreshadowing in many different ways such as character dialogues, plot events, and changes in setting. Even the title of a work or a chapter can act as a clue that suggests what is going to happen. Foreshadowing in fiction creates an atmosphere of suspense in a story so that the readers are interested and want to know more.
Some forms of music use recorded sounds of nature as part of the music, for example new-age music uses the nature sounds as backgrounds for various musical soundscapes, and ambient music sometimes uses nature sounds modified with reverbs and delay units to make spacey versions of the nature sounds as part of the ambience.
The historical background of natural sounds as they have come to be defined, begins with the recording of a single bird, by Ludwig Koch, as early as 1889.Koch's efforts in the late 19th and early 20th centuries set the stage for the universal audio capture model of single-species—primarily birds at the outset—that subsumed all others during the first half of the 20th century and well into ...
Ecomusicology considers aspects of environmental sustainability within music production and performance. For example, the relationship between a demand for a certain musical instrument as well as the costs and impacts of its production, has been an area of interest for Ecomusicologists investigating the sustainability of the consumption and production of music or musical instruments. [13]
The original form of the text with the rhymed list of ingredients can be found as early as 1450 in Maister Hannsen's von Wirtenberg Koch Cookbook. Bahay Kubo 'Field House' Philippines Tagalog-language folk song from the lowlands of Luzon, Philippines. Chizhik-Pyzhik 'Чи́жик-Пы́жик' Russia: Come Follow Me (To the Redwood Tree) 'Come ...
A work with twenty-two named narrative sections describing the ascent of an alpine mountain. A section of the work depicts a thunderstorm, with perhaps the most realistic thunder-and-lightning in orchestral music. Duett-Concertino (1947), depicting a princess and a bear.
Sibelius sold his music to several publishers over the course of his career. As a relatively unknown composer in the 1890s and early 1900s, he worked with domestic firms in Helsinki, including the eponymous operations of Axel E. Lindgren and Karl F. Wasenius [], as well as Helsingfors Nya Musikhandel [], a joint venture of Konrad G. Fazer [] and Robert E. Westerlund [] until the latter ...