Search results
Results from the WOW.Com Content Network
The expatriate American poet Ezra Pound in 1913; Pound collected poems from eleven poets in his first anthology of Imagist poetry, Des Imagistes, published in 1914.. Imagism was a movement in early-20th-century poetry that favored precision of imagery and clear, sharp language.
As with Dafydd's poem, Summer is personified as a patron of Nature in an Irish poem, "Cétamon", or "May Day", found in The Boyhood Deeds of Fionn. [16] A Welsh triad believed to have circulated orally tells us of "Three things that gladden a lover: a loyal love-messenger, a faithful sweetheart, and a long day, the woodland dark". Cf. lines 27 ...
The first line of the poem, "I heard a fly buzz– when I died–" is intended to garner the attention of the reader. [4] Readers are said to be drawn to continue the poem, curious as to how the speaker is talking about her own death. [4] The narrator then reflects on the moments prior to the very moment she died. [1]
“The Second Coming” is a poem written by Irish poet William Butler Yeats in 1919, first printed in The Dial in November 1920 and included in his 1921 collection of verses Michael Robartes and the Dancer. [1] The poem uses Christian imagery regarding the Apocalypse and Second Coming to describe allegorically the atmosphere of post-war Europe ...
both have within them that quality of heart so essential to these latter poems. Because of this quality, and because of the striking effectiveness of their imagery, these poems can be said to be the true harbingers of Coleridge's greatest poems". [76] Others agree on the strength of Frost at Midnight.
[32] With these views in mind, the poem recalls Keats's earlier view of pleasure and an optimistic view of poetry found within his earlier poems, especially Sleep and Poetry, and rejects them. [33] This loss of pleasure and incorporation of death imagery lends the poem a dark air, which connects "Ode to a Nightingale" with Keats' other poems ...
His introduction read, "If E. A. P. of Baltimore — whose lines about 'Heaven,' though he professes to regard them as altogether superior to any thing in the whole range of American poetry, save two or three trifles referred to, are, though nonsense, rather exquisite nonsense — would but do himself justice, might make a beautiful and perhaps ...
An ancient English altar stone. Scriptural and liturgical allusions contribute to the phrasing of the poem's imagery. The altar’s fabric is reared of stone that “no workman’s tool hath touched”, which is in line with the divine commandment to the Jews after their exodus from Egypt that "if thou wilt make me an altar of stone, thou shalt not build it of hewn stone: for if thou lift up ...