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Deeper cavities were created for ash urns to be placed inside. [7] Sizes of the altars could range from miniature examples to 2 meters tall. [12] Some carried busts or statues or portraits of the deceased. [12] The simplest and most common form of a funerary altar was a base with a pediment, often featuring a portrait or epitaph, on top of the ...
Ode on a Grecian Urn. Tracing of an engraving of the Sosibios vase by Keats. " Ode on a Grecian Urn " is a poem written by the English Romantic poet John Keats in May 1819, first published anonymously in Annals of the Fine Arts for 1819[1] (see 1820 in poetry). The poem is one of the "Great Odes of 1819", which also include "Ode on Indolence ...
After 1100 BC, Greeks began to bury their dead in individual graves rather than group tombs. Athens, however, was a major exception; the Athenians normally cremated their dead and placed their ashes in an urn. [4] During the early Archaic period, Greek cemeteries became larger, but grave goods decreased.
A few small engraved pendants with suspension holes and simple engraved designs are known, some from northern Europe in amber, and one from Starr Carr in Britain in shale. [ 46 ] The rock art in the Urals appears to show similar changes after the Paleolithic, and the wooden Shigir Idol is a rare survival of what may well have been a very common ...
Guilloché. Guilloché (French: [É¡ijɔʃe]), or guilloche (/ ɡɪˈloʊʃ /), is a decorative technique in which a very precise, intricate and repetitive pattern is mechanically engraved into an underlying material via engine turning, which uses a machine of the same name. Engine turning machines may include the rose engine lathe and also the ...
Perhaps 14th century. An engraved gem, frequently referred to as an intaglio, is a small and usually semi-precious gemstone that has been carved, in the Western tradition normally with images or inscriptions only on one face. [1] The engraving of gemstones was a major luxury art form in the ancient world, and an important one in some later periods.
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