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God is dead; but given the way of men, there may still be caves for thousands of years in which his shadow will be shown. ––And we––we still have to vanquish his shadow, too. [17] Still in The Gay Science, the expression is stated through the voice of the "madman", in "The Madman", as follows: God is dead. God remains dead.
The Quaker Graveyard in Nantucket is an influential poem by Robert Lowell. It was first published in 1946 in his collection Lord Weary's Castle. The poem is written in an irregular combination of pentameter and trimeter and divided into seven sections. It is dedicated to Lowell's cousin, "Warren Winslow, Dead At Sea."
Answering a reader's question about the poem in 1879, Longfellow himself summarized that the poem was "a transcript of my thoughts and feelings at the time I wrote, and of the conviction therein expressed, that Life is something more than an idle dream." [13] Richard Henry Stoddard referred to the theme of the poem as a "lesson of endurance". [14]
This section is followed by an interruption in the swain's monologue by the voice of Phoebus, "the sun-god, an image drawn out of the mythology of classical Roman poetry, [who] replies that fame is not mortal but eternal, witnessed by Jove (God) himself on judgment day." At the end of the poem, King/Lycidas appears as a resurrected figure ...
Two boats and a helicopter, the instruments of rescue most frequently cited in the parable, during a coastguard rescue demonstration. The parable of the drowning man, also known as Two Boats and a Helicopter, is a short story, often told as a joke, most often about a devoutly Christian man, frequently a minister, who refuses several rescue attempts in the face of approaching floodwaters, each ...
The poem, written after Newman's conversion from Anglicanism to Roman Catholicism, [1] explores his new Catholic-held beliefs of the journey from death through Purgatory, thence to Paradise, and to God. The poem follows the main character as he nears death and reawakens as a soul, preparing for judgment, following one of the most important ...
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The term "dying god" is associated with the works of James Frazer, [4] Jane Ellen Harrison, and their fellow Cambridge Ritualists. [16] At the end of the 19th century, in their The Golden Bough [4] and Prolegomena to the Study of Greek Religion, Frazer and Harrison argued that all myths are echoes of rituals, and that all rituals have as their primordial purpose the manipulation of natural ...