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François Devienne, attributed to Jacques-Louis David François Devienne ( French: [dəvjɛn] ; 31 January 1759 – 5 September 1803) was a French composer of the Classical period and professor for flute at the Paris Conservatory .
Their association was made public on 2 August 1783 [1] with the release of the second flute concerto by François Devienne (1759–1803). From November 1784, ads feature him alone for publications by Jean-Baptiste Cartier and Grétry. His sign, "Le Mont d’or", was situated rue Saint-Honoré.
Professional flutes and headjoints made in precious metals alto flute headjoints: Yes: Yes: Yes Armstrong: USA: Now owned by Conn-Selmer: Yes: Yes: No Artley: USA: Now defunct Conn-Selmer brand. The company made piccolos, C flutes, E-flat soprano flutes, alto and bass flutes. (The bass flute was designed by T.S. Ogilvie) No: Yes: No Avanti: USA ...
Albert Cooper – also flute maker and inventor of Cooper scale; Gaston Crunelle; David Davies; Michel Debost; Leonardo De Lorenzo; Jules Demersseman; Abbie de Quant; François Devienne; Franz Doppler; Karl Doppler; Béla Drahos; Louis Drouet; Mathieu Dufour; Friedrich Dülon; Paul Lustig Dunkel; Hilary du Pré; Elena Duran; Mario Duschenes ...
Complete Flute Concertos Vol. IV: François Devienne: Claude Arimany Symphonic Orchestra and Kishinev Aurophon - CD 2006 W. Amadeus Mozart : Trios for 2 Flutes and Piano: Mozart: Shigenori Kudo Claudi Arimany and John Steele Ritter: Epson 2006 Une Vie Pour La Musique [20] François Devienne: Claude Arimany, Alain Marion et al. Analekta ...
6 Flute Quartets, T.145–150; 6 Trios for Flute, Oboe and Bassoon, Op. 45; Muzio Clementi – Six piano sonatas, Op. 13; Francois Devienne – Flute Concerto No.3 in G major; Carl Ditters von Dittersdorf – Six Symphonies after Ovid's Metamorphoses (comp. 1781, first three published 1785) Anton Eberl – Symphony in C major
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The Italian Luigi Cherubini was the house composer, [3] but the French composers Jean-François Le Sueur, François Devienne, and Pierre Gaveaux were also closely associated with the company. [2] In 1801 the Théâtre Feydeau merged with, and took the name of its chief rival, the Opéra-Comique.
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