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Oikonomos (Greek: οἰκονόμος, from οἰκο - 'house' and - νόμος 'rule, law'), Latinized œconomus, oeconomus, or economos, was an Ancient Greek word meaning "household manager." In Byzantine times, the term was used as a title of a manager or treasurer of an organization.
Oeconomicus comes from the Ancient Greek words oikos for home or house and nemein which means management, [1] literally translated to 'household management'. It is one of the earliest works on economics in its original sense of household management, and a significant source for the social and intellectual history of Classical Athens .
The title of this work means "household management" and is derived from the Greek word, οἶκος, oikos, meaning "house/household". The term includes household finance as it is commonly known today and also defines the roles members of the household should have.
Erastus, Olympas, Rhodion, Sosipater, Quartus and Tertius (Menologion of Basil II) Erastus of Corinth (Greek: Ἔραστος, Erastos), also known as Erastus of Paneas, held the political office of steward (Greek: οἰκονόμος, oikonomos), in Corinth, according to the Epistle to the Romans 16:23 of the New Testament.
Oikonomos was a household manager in Ancient Greece, or a treasurer of an organization. It may also refer to: The etymology of the word economy; Oikonomos Tsaritsani F.C., a Greek football club; Oikonomos, a photograph series by Edson Chagas
Superior of the individual monastery, or "steward" (oikonomos). The vice steward, or steward's assistant, is known as the "second" (deuteros). "Housemaster" (oikiakos) of an individual house (oikos) within each monastery. A housemaster also had had an assistant or "second" (deuteros). Each house had around a few dozen monks, while each ...
Lossky writes: "The distinction between οικονομια [economy] and θεολογια [theology] [...] remains common to most of the Greek Fathers and to all of the Byzantine tradition. θεολογια [...] means, in the fourth century, everything which can be said of God considered in Himself, outside of His creative and redemptive economy.
A painting that reveals (aletheia) a whole world.Heidegger mentions this particular work of Van Gogh's (Pair of Shoes, 1895) in The Origin of the Work of Art.In the early to mid 20th-century, Martin Heidegger brought renewed attention to the concept of aletheia, by relating it to the notion of disclosure, or the way in which things appear as entities in the world.