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Impressionism in music was a movement among various composers in Western classical music (mainly during the late 19th and early 20th centuries) whose music focuses on mood and atmosphere, "conveying the moods and emotions aroused by the subject rather than a detailed tone‐picture". [1] "
The Musicians or Concert of Youths (c. 1595) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610). [1] The work was commissioned by Cardinal Francesco Maria del Monte, who had an avid interest in music. [2]
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
Basket of Fruit, c. 1595–1596, oil on canvas, Pinacoteca Ambrosiana, Milan. Caravaggio (Michelangelo Merisi or Amerighi) was born in Milan, where his father, Fermo (Fermo Merixio), was a household administrator and architect-decorator to the marquess of Caravaggio, a town 35 km (22 mi) to the east of Milan and south of Bergamo. [7]
Monet made light the central focus of his paintings. To capture its variations, he would sometimes complete a painting in one sitting, often without preparation. [93] He wished to demonstrate how light altered colour and perception of reality. [24] His interest in light and reflection began in the late 1860s and lasted throughout his career. [21]
Synchromism was developed by Stanton Macdonald-Wright and Morgan Russell while they were studying in Paris during the early 1910s. [7] In 1907, Stanton Macdonald-Wright studied the ideas of optical scientists such as Michel-Eugene Chevreul, Hermann von Helmholtz, and Ogden Rood in order to further develop color theory influenced by musical harmonies. [8]
Another characteristic of Symbolist art was synesthesia, the search for a relationship between pictorial qualities (line, color, rhythm) and other sensory qualities such as sound and scent: Gauguin thus spoke of the "musical aspect" of his art; Rimbaud related vowels to colors (A-black, E-blue, I-red, O-yellow, U-green); Baudelaire also applied ...
When it comes to individual styles, Pierre Bonnard was a Colourist painter, known for putting emphasis on the relationship of the subjects of his art with light and colour. He was part of a Parisian artist group, the Nabis, who were known for their decorative painting full of colour and patterns.