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The Twelve Ornaments (Chinese: 十二章; pinyin: Shí'èr zhāng) are a group of ancient Chinese symbols and designs that are considered highly auspicious. They were employed in the decoration of textile fabrics in ancient China, which signified authority and power, and were embroidered on vestments of state.
The catastrophes were supposedly caused by the battle between the deities Gonggong and Zhuanxu (an event that was mentioned earlier in the Huainanzi), [b] the five-colored stones symbolize the five Chinese elements (wood, fire, earth, metal, and water), the black dragon was the essence of water and thus cause of the floods, Ji Province serves ...
There are also special symbols in Chinese arts, such as the qilin, and the Chinese dragon. [1] According to Chinese beliefs, being surrounding by objects which are decorated with such auspicious symbols and motifs was and continues to be believed to increase the likelihood that those wishes would be fulfilled even in present-day. [2]
The Four Symbols are mythological creatures appearing among the Chinese constellations along the ecliptic, and viewed as the guardians of the four cardinal directions. These four creatures are also referred to by a variety of other names, including " Four Guardians ", " Four Gods ", and " Four Auspicious Beasts ".
Small collections of symbols have been found at several archeological sites dating to the Neolithic period in what is now China. The symbols are either pictorial in nature, or are simple geometric figures, [a] and have either been incised into or drawn onto artifacts—mostly pottery, but sometimes also turtle shells, animal bones or other items made of bone or jade.
In Chinese philosophy, a taijitu (Chinese: 太極圖; pinyin: tàijítú; Wade–Giles: tʻai⁴chi²tʻu²) is a symbol or diagram (圖; tú) representing taiji (太極; tàijí; 'utmost extreme') in both its monist and its dualist (yin and yang) forms in application is a deductive and inductive theoretical model.
There are numerous Chinese names for the fire-producing "sun-mirror" and water-producing "moon-mirror". These two bronze implements are literary metaphors for yin and yang, associating the "yang-mirror" yangsui with the Sun (a.k.a. tàiyáng 太陽 "great yang"), fire, dry, and round, and the "yin-mirror" fangshu with the Moon (tàiyīn 太陰 "great yin"), water, wet, and square.
Yin Fire years end in 7 (e.g. 1977). (Yin years end in an odd number.) Fire governs the Chinese zodiac signs Snake and Horse. [4] Flying Star Feng Shui uses number 9 to represent Fire. The current 20-year cycle from 2024-2044 (Period 9) is governed by star 9 fire. The South corner releases energy of Fire as I Ching and Feng Shui states. It is ...