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Floating into the Night was produced and written by Badalamenti and Lynch; Badalamenti composed the music and Lynch wrote the lyrics. [2] Cruise initially regarded herself as "a Broadway belter" and had a reputation for letting "angry and aggressive emotions power her work," but Lynch "felt that Cruise had a 'soft, sad side '" and encouraged her to sing in a softer tone and in a higher ...
When Julee Cruise died last year on June 9, David Lynch fans lost another of the essential, even inextricable collaborators who became a part of their lives as a result of being part of his art.
Vinyl, acetate, and shellac discs being exposed to soil and fungus spores. Library of Congress Study, 1959. The conservation and restoration of vinyl discs refers to the preventive measures taken to defend against damage and slow degradation, and to maintain fidelity of singles, 12" singles, EP’s, and LP’s in 45 or 33⅓ rpm 10" disc ...
Born in Creston, Iowa, Julee Ann Cruise was the daughter of John Cruise, the town dentist, and Wilma Cruise, who was his office manager. [5] [6] She studied French horn at Drake University [7] and performed as a singer and actress in Minneapolis with the Children's Theater Company [8] (notably in the role of Jinjur in stage adaptations of L. Frank Baum's Oz books).
These machines require regular maintenance to perform properly. Particles that come off magnetic tape can build up on the record and playback heads, reducing the signal quality. Head cleaning may be done with a special cloth, long swabs, or a cleaning tape or cassette. [2] [3]
The term is also used to denominate the outermost cardboard covering of a record, i.e. the record jacket or album jacket. The record jacket is extensively used to design and market a recording, as well as to additionally display general information on the record as artist name, titles list, title length etc. if no opening presents a readable label.
Two different ways of marking cut-out records on LP jackets. When LPs were the primary medium for the commercial distribution of sound recordings, manufacturers would cut the corner, punch a hole, or add a notch to the spine of the jacket of unsold records returned from retailers; these "cut-outs" might then be re-sold to record retailers or other sales outlets for sale at a discounted price.
At the time, as a cost-cutting measure, most industry record pressing plants were using recycled or "reground" vinyl, taking old and unsold records, cutting out the center with the paper labels, then melting the rest down and reusing the material to make new records. Such "reground" vinyl records typically sounded much noisier and scratchier ...
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