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Songs for Beginners is the debut solo studio album by English singer-songwriter Graham Nash.Released in May 1971, it was one of four high-profile albums (all charting within the top fifteen) released by each member of Crosby, Stills, Nash & Young in the wake of their chart-topping Déjà Vu album of 1970, along with After the Gold Rush (Neil Young, September 1970), Stephen Stills (Stephen ...
The term baritone was developed in relation to classical and operatic voices, where the classification is based not merely on the singer's vocal range but also on the tessitura and timbre of the voice. For classical and operatic singers, their voice type determines the roles they will sing and is a primary method of categorization.
SATB, baritone solo, three speaking voices and chamber ensemble; text adapted by Libby Larsen. The Summer Day (2005) SSAA and string quartet; text by Mary Oliver. Western Songs (2005) SATB a cappella; text from American Folksongs. Of Music (2006) SSAA and four-hand piano; text by Emily Dickinson. The Blackbird (2007) TTBB and piano; text by ...
The first use of the term "baritone" emerged as baritonans, late in the 15th century, [5] usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the average male choral voice.
By Footpath and Stile is a song cycle for baritone and string quartet by English composer Gerald Finzi (1901-1956) set to poems by Thomas Hardy (1840-1928). Composed between 1921 and 1922, it was first performed in 1923 and published in 1925.
The baritone is pitched in concert B ♭, meaning that when no valves are actuated, the instrument will produce partials of the B ♭ harmonic series. Music for the baritone horn can be written in either the bass clef or the treble clef. When written in the bass clef, the baritone horn is a non-transposing instrument.
Songs from the Chinese, Op. 58, for soprano or tenor and guitar, Op. 58 (translations by Arthur Waley; 1957) Sechs Hölderlin-Fragmente, Op. 61, for tenor and piano (1958) Songs and Proverbs of William Blake, Op. 74, for baritone and piano (1965) The Poet's Echo, Op. 76, for soprano or tenor and piano (words by Alexander Pushkin; 1965)
Tales and Songs from the Bible of Hell four singers with real-time electronic transformation and pre-recorded 4 track tape (1979) Trois Visages à Liège electronic music (1961) Votre Faust (1960–68), opera for five actors, four singers, twelve instruments, and electronic music, libretto by Michel Butor .