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2001: A Space Odyssey is a soundtrack album to the film of the same name, released in 1968.The soundtrack is known for its use of many classical and orchestral pieces, and credited for giving many classical pieces resurgences in popularity, such as Johann Strauss II's 1866 Blue Danube Waltz, Richard Strauss' symphonic poem Also sprach Zarathustra, and György Ligeti's Atmosphères.
Examples of space music in film soundtracks include the Vangelis score to Blade Runner, [57] [58] Tangerine Dream's moody soundtracks for Legend, Sorcerer and Risky Business, [59] [60] Jonn Serrie's surround-sound score for the IMAX short film, Hubble: Galaxies Across Space and Time, [61] Brian Eno's score for the 1989 film For All Mankind, [62 ...
In 1777, Joseph Haydn's opera "Il mondo della luna"("The world on the moon") premiered. Author and classical music critic David Hurwitz describes Joseph Haydn's choral and chamber orchestra piece, The Creation, composed in 1798, as space music, both in the sense of the sound of the music, ("a genuine piece of 'space music' featuring softly pulsating high violins and winds above low cellos and ...
Space Jam: Music from and Inspired by the Motion Picture is the original soundtrack album of the 1996 film starring Michael Jordan and the Looney Tunes cast. An album featuring the film's score by James Newton Howard was also released. The soundtrack was released by Warner Sunset and Atlantic Records on November 12, 1996.
Included are natural sounds (including some made by animals), musical selections from different cultures and eras, spoken greetings in 59 languages, [1] [2] human sounds like footsteps and laughter, [3] and printed messages from President Jimmy Carter and U.N. Secretary-General Kurt Waldheim.
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"Space Oddity" has appeared on numerous best-of lists. In a 2000 list compiling the 100 greatest rock songs, VH1 placed "Space Oddity" at number 60. [119] In 2012, Consequence of Sound included it in their list of the 100 greatest top songs of all time, ranking it number 43. [120]
Spatial music is composed music that intentionally exploits sound localization.Though present in Western music from biblical times in the form of the antiphon, as a component specific to new musical techniques the concept of spatial music (Raummusik, usually translated as "space music") was introduced as early as 1928 in Germany.