Search results
Results from the WOW.Com Content Network
The sonata for violin and piano in G minor, L. 140, was written in 1917. It was the composer's last major composition and is notable for its brevity; a typical performance lasts about 13 minutes. The premiere took place on 5 May 1917, the violin part played by Gaston Poulet, with Debussy himself at the piano. It was his last public performance.
Claude Debussy c. 1910. This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, [1] which is generally in chronological order of composition date. "L¹" numbers are also given from Lesure's ...
Op. 2 No. 11 – Violin Sonata in B minor; Op. 2 No. 12 – Violin Sonata in G minor; Op. 3 No. 1 – Sonata for 2 violins in G major; Op. 3 No. 2 – Sonata for 2 violins in A major; Op. 3 No. 3 – Sonata for 2 violins in C major; Op. 3 No. 4 – Sonata for 2 violins in F major; Op. 3 No. 5 – Sonata for 2 violins in E minor
The most well known sonata from this volume, number 11 in G minor, appears to have been largely the work of Eccles himself, though he excerpted the second movement (the Corrente) from Francesco Bonporti's Opus 10. [2] In 1723, Eccles produced a further volume of Sonatas for Violin and Figured Bass with an additional two sonatas for flute.
Cello Sonata (Debussy) P. Piano Trio (Debussy) Première rhapsodie; S. Sonata for flute, viola and harp (Debussy) String Quartet (Debussy) V. Violin Sonata (Debussy)
Violin Sonata in G minor (1905) Kenneth Leighton. Violin Sonata No. 1, Op. 4 (1949) Violin Sonata No. 2, Op. 20 (1953) Guillaume Lekeu. Violin Sonata in G major (1892/93) Lowell Liebermann. Sonata for Violin and Piano, Op.46 (1994) Douglas Lilburn. Violin Sonata No. 1 in E flat (1943) Violin Sonata No. 2 in C (1943) Violin Sonata No. 3 (1950 ...
In the Modern period, sonata form became detached from its traditional harmonic basis. The works of Schoenberg, Debussy, Sibelius and Richard Strauss emphasized different scales other than the traditional major-minor scale and used chords that did not clearly establish tonality. It could be argued that by the 1930s, sonata form was merely a ...
The earliest two works composed for flute, viola, and harp are Théodore Dubois's Terzettino (1905) and Claude Debussy's Sonata for Flute, Viola and Harp (1915). The Terzettino is a relatively short work in one movement lasting approximately five minutes, and its main theme is a lyrical, romantic-style melody. [4]