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Curling acanthus-type leaves occur frequently in the borders and ornamented initial letters of illuminated manuscripts, and are commonly found in combination with palmettes in woven silk textiles. In the Renaissance classical models were followed closely, and the acanthus becomes recognisable again in large-scale architectural examples. The ...
An acanthus flowering in the ruins of the Palatine Hill, Rome, May 2005. Acanthus leaves were the aesthetic basis for capitals in the Corinthian order of architecture; Several species, especially A. balcanicus, A. spinosus and A. mollis, are grown as ornamental plants. Acanthus leaves also have many medicinal uses.
Acanthaceae (/ æ k æ n ˈ θ eɪ s iː ˌ aɪ,-s i ˌ i /) is a family (the acanthus family) of dicotyledonous flowering plants containing almost 250 genera and about 2500 species. Most are tropical herbs, shrubs, or twining vines; some are epiphytes. Only a few species are distributed in temperate regions.
Acanthus arboreus grows best in well-draining soil under full sun to partial shade and is adaptable to cooler climates, enduring temperatures as low as –5°C. [4] The plant features spoon-shaped, spiny-edged green leaves and produces pink flowers on tall stems during summer. It can reach heights of 4 to 19 feet and is known for its drought ...
This was a common ornamental style with marble surfaces. [8] One common ornamental style was the use of acanthus leaf, a motif adopted from the Greeks. The use of acanthus leaf and other naturalist motifs can be seen in Corinthian capitals, in temples, and in other public sites.
Acanthus (plant), a genus containing plants used for ornament and in traditional medicine Acanthus (ornament), ornamental forms in architecture using the leaf shape; Acanthus, an entomological term for a thornlike projection on an insect, typically a single-celled cuticular growth without tormogen (socket) or sensory cells
Acanthus mollis is a leafy, clump-forming perennial herb with tuberous roots. It has a basal rosette of dark glossy green, lobed or divided, glabrous leaves 50 cm (20 in) long and 30 cm (12 in) wide on a petiole 20–30 cm (7.9–11.8 in) long. The flowers are borne on an erect spike up to 200 cm (79 in) tall emerging from the leaf rosette.
He deems the most meaningful aspects of art to be non-ornamental, which stems from a preference to Western representational art. Geometric pattern in Islamic ornament involves this filling of space, technically described as "'tessellation through isometry.'" [ 50 ] The primary objective for geometric patterns "filling" of space is to enhance it.