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The modern Japanese writing system uses a combination of logographic kanji, which are adopted Chinese characters, and syllabic kana.Kana itself consists of a pair of syllabaries: hiragana, used primarily for native or naturalized Japanese words and grammatical elements; and katakana, used primarily for foreign words and names, loanwords, onomatopoeia, scientific names, and sometimes for emphasis.
Name Romanized English RGB Hex triplet Name Romanized English RGB Hex triplet; 藤紫: Fujimurasaki: Wisteria purple 135,95,154 #875F9A 桔梗色: Kikyō-iro: Bellflower color 93,63,106 #5D3F6A 紫苑色: Shion-iro: Tatarian aster color 151,110,154 #976E9A 滅紫: Messhi [5] Poppy purple 63,49,58 #3F313A 紫紺: Shikon: Blue-violet 43,32,40 ...
Although Kunrei-shiki romanization is the style favored by the Japanese government, Hepburn remains the most popular method of Japanese romanization. It is learned by most foreign students of the language, and is used within Japan for romanizing personal names, locations, and other information, such as train tables and road signs.
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The earliest Japanese romanization system was based on Portuguese orthography.It was developed c. 1548 by a Japanese Catholic named Anjirō. [2] [citation needed] Jesuit priests used the system in a series of printed Catholic books so that missionaries could preach and teach their converts without learning to read Japanese orthography.
This is an accepted version of this page This is the latest accepted revision, reviewed on 14 December 2024. For other color lists, see Lists of colors. This article relies largely or entirely on a single source. Relevant discussion may be found on the talk page. Please help improve this article by introducing citations to additional sources. Find sources: "List of colors" alphabetical ...
The list is sorted by Japanese reading (on'yomi in katakana, then kun'yomi in hiragana), in accordance with the ordering in the official Jōyō table. This list does not include characters that were present in older versions of the list but have since been removed ( 勺 , 銑 , 脹 , 錘 , 匁 ).
Each modern prefecture has a unique flag, most often a bicolour geometric highly stylised design , often incorporating the letters of Japanese writing system and resembling company logos. A distinct feature of these flags is that they use a palette of colours not usually found in flags, including orange , purple , aquamarine and brown.