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Gary Hodges (born 1954) is a British artist and publisher much admired internationally for his graphite pencil wildlife art. [1] His original drawings and limited edition prints have sold widely in the UK and throughout the world and is collected by large numbers of ordinary citizens, many not previously seeing themselves as "art collectors".
I entreated Mother Ann to tell me the name of this tree which she did on Oct. 1st 4th hour P.M. by moving the hand of a medium to write twice over Your Tree is the Tree of Life. [17] The tree of life has become an icon to represent Shakers. [16] In 1996 another painting attributed to Cohoon was estimated prior to sale at Sotheby's of $250,000 ...
Diana Shpungin's "Drawing Of A House (Triptych)" Shpungin's work often deals with themes of memory, longing, loss, and empathy. [1] Influenced by artists like Felix Gonzales-Torres, Shpungin uses deeply personal motifs and narratives in her drawings, sculptures, and video works, often combined with found objects to emphasize a concept that she refers to as “object empathy”.
Pencil drawings were not known before the 17th century, [1] with the modern concept of pencil drawings taking shape in the 18th and 19th centuries. [1] Pencil drawings succeeded the older metalpoint drawing stylus, which used metal instead of graphite. [1] Modern artists continue to use the graphite pencil for artworks and sketches. [1]
The artist will often start with a graphite pencil to sketch or outline the drawing, then the final line work with a pen or brush, and permanent ink. The ink may be diluted with water to produce gradations, a technique called ink wash. The pencil marks may be erased after the ink is applied, or left in place with the dark inks overpowering them.
An 1847 depiction of the Norse Yggdrasil as described in the Icelandic Prose Edda by Oluf Olufsen Bagge 17th-century depiction of the tree of life in Palace of Shaki Khans, Azerbaijan Confronted animals, here ibexes, flank a tree of life, a very common motif in the art of the ancient Near East and Mediterranean Breastfeeding before an Egyptian "sycamore"
In 1989, he used a similar system to create thousands of handmade graphite pencil drawings, using hundreds of plastic drafting templates he designed for this purpose, each drawing made unique by combining the templates according to a combinatorial protocol that never repeated itself. Mount Signal and Its Sand Spikes, 1999/2000
It measures 242 × 321 cm. [1] [2] [3] The canvas depicts Mary Magdalene and Jesus Christ in a life-size two-figure composition. The painting depicts the moment in the Gospel story when Mary Magdalene recognises the risen Christ. However, he stops her impulse by telling her, "Do not cling to me, for I have not yet ascended to the Father".
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