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Mixing pigments for the purpose of creating realistic paintings with diverse color gamuts is known to have been practiced at least since Ancient Greece.The identity of a/the set of minimal pigments to mix diverse gamuts has long been the subject of speculation by theorists whose claims have changed over time, for example Pliny's white, black, one or another red, and "sil", which might have ...
Physical mixing processes, e.g. mixing light beams or oil paints, will follow one or a hybrid of these 3 models. [1] Each mixing model is associated with several color models, depending on the approximate primary colors used. The most common color models are optimized to human trichromatic color vision, therefore comprising three primary colors.
[5] [6] [7] The pigment is a greenish-blue color. In watercolor, it has a slight chalkiness. When used in oil paint, it loses this quality. [8] Today, cobalt chromate is sometimes marketed under the cerulean blue name but is darker and greener [a] than the cobalt stannate version.
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An oil drying agent, also known as siccative, is a coordination compound that accelerates the hardening of drying oils, often as they are used in oil-based paints. This so-called "drying" (actually a chemical reaction that produces an organic plastic) occurs through free-radical chemical crosslinking of the oils.
Eventually, a less costly pigment was developed from cobalt ores, giving the color its present-day name. Cosmic Cobalt has been a favorite color for artists of every era. Getty Images/Wikimedia ...
Color theory, or more specifically traditional color theory, is a historical body of knowledge describing the behavior of colors, namely in color mixing, color contrast effects, color harmony, color schemes and color symbolism. [1] Modern color theory is generally referred to as color science.
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