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The Nocturnes, Op. 9 are a set of three nocturnes for solo piano written by Frédéric Chopin between 1831 and 1832, published in 1832, and dedicated to Madame Marie Pleyel. These were Chopin's first published set of nocturnes. The second nocturne of the work is often regarded as Chopin's most famous piece. [1] [2]
Chopin, Nocturne in B major, Op. 62, No. 1 Secondary theme. The Nocturne in B major opens with two introductory chords. After a pause, a melody in B major emerges. At first, the action proceeds gently and smoothly (dolce, legato). The piece soon turns into declamation, led by a voice in the upper register, and after a rapid scale in the right ...
Nocturne in E-flat major, Op. 55, No. 2. The second nocturne in E ♭ major features a 12 8 time signature, triplet quavers in the bass, and a lento sostenuto tempo marking. The left-hand features sweeping legato arpeggios from the bass to the tenor, while the right-hand often plays a contrapuntal duet and a soaring single melody.
Cover page of Chopin's Nocturnes Op. 48. Frédéric Chopin wrote 21 nocturnes for solo piano between 1827 and 1846. They are generally considered among the finest short solo works for the instrument and hold an important place in contemporary concert repertoire. [1]
The Nocturne No. 20 in C ♯ minor, Op. posth., Lento con gran espressione, P 1, No. 16, KKIVa/16, WN 37, is a solo piano piece composed by Frédéric Chopin in 1830 and published in 1875. Chopin dedicated this work to his older sister Ludwika Chopin , with the statement: "To my sister Ludwika as an exercise before beginning the study of my ...
Ottorino Respighi: one piano nocturne as part of his Six Piano Pieces R.44 (1904) Erik Satie: five for solo piano (1919) Maria Schneider: Nocturne, on her album Allégresse (2000) Clara Schumann (Clara Josephine Wieck): Nocturne in F major Op.6 No.2 from Soirées Musicales (1819–1896) Robert Schumann: four Nachtstücke
Chopin at 25, by Maria Wodzińska, 1835. Frédéric Chopin's output mostly consists of pieces for solo piano. There are also the two piano concertos, four other works for piano and orchestra, and a small amount of chamber music. However, Chopin also produced a number of other compositions, mostly for solo piano, but some for other forces.
The nocturne-like atmosphere returns, and the piece ends in a passionate F ♯ major chord. [1] The piece is in the rare key of F ♯ major, which is used in very few major compositions in the Romantic era outside of piano music. Larger examples of works in this key are Ludwig van Beethoven's Piano Sonata No. 24 and Chopin's Barcarolle.