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The leading proponent of Bengali music is Rabindranath Tagore (known in Bengali as Robi Thakur and Gurudeb, the latter meaning "Respected Teacher" (in the Bengal of that time, the suffix 'deb' was an honorific, ascribed to people who enjoyed immense respect, but this title was primarily used by his students at Santiniketan, though many others ...
Bengali classical music is based on modes called ragas. In composing these songs, the melodies of North Indian ragas are used. As far as the Charyagiti (9th century), ragas have been used in Bengali music. Jaydev's Gita Govinda, Padavali Kirtan, Mangal Giti, Shyama sangeet, Tappa, Brahma Sangeet and Tagore songs have been
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Nazrul's acquaintance with the tradition of Persian Ghazals, a form of love songs, was very significant in the sense that it paved the base of his successful efforts in composing Bengali Ghazals which he undertook by 1927–28. Bengali Ghazal is, it can be mentioned outright, an innovation by Kazi Nazrul Islam alone.
Many poems and songs were written for this broadcasting. One of those songs Joy Bangla Banglar Joy (Victory of Bengal) was the signature tune of the radio. Many songs of Swadhin Bangla Betar Kendra like Purbo Digante Surjo Uthechhe, Ekti Phoolke Bachabo Bole, Salam Salam Hajar Salam of Gobinda Haldar, became immensely popular
(Poem 28, Song Offering) The word gitanjali is composed from "geet", song, and "anjali", offering, and thus means – "An offering of songs"; but the word for offering, anjali, has a strong devotional connotation, so the title may also be interpreted as "prayer offering of song".
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"Ekbar biday de Ma ghure ashi" (Bengali: একবার বিদায় দে মা ঘুরে আসি, "Bid me goodbye Mother") is a Bengali patriotic song written by Pitambar Das. [1] This song was composed in honour of Khudiram Bose .