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Evening at Kuerners is a 1970 painting by the American artist Andrew Wyeth. It is one of Wyeth's paintings of the Kuerner Farm in Chadds Ford, Pennsylvania. The white farmhouse and a springhouse are depicted at sunset. In the foreground are also two leafless trees and a stream of water which runs from a nearby pond.
Andrew Wyeth's first painting of the farm was completed in 1932, when Wyeth was just fifteen years old. [ 3 ] In 1945, N. C. Wyeth, and Andrew Nyeth's three-year-old nephew, Newell Convers Wyeth II (b. 1941) were killed when their car, stalled at the railroad crossing near the northwest corner of the farm, was struck by a train.
Andrew Wyeth called the area "Betsy’s Village". [2] In 2008, she bought an old sail loft, previously dismantled in Port Clyde. [2] She had it put back together on one of the three islands, as a birthday gift for her husband. [2] The sail loft became the subject of one of Andrew Wyeth's paintings, and was renamed Goodbye by Besty following his ...
Andrew Newell Wyeth (/ ˈ w aɪ ɛ θ / WY-eth; July 12, 1917 – January 16, 2009) was an American visual artist, primarily a realist painter, working predominantly in a regionalist style. He believed he was also an abstractionist, portraying subjects in a new, meaningful way.
Helga Testorf portrayed in Braids (1979) by Andrew Wyeth. The Helga Pictures are a series of more than 268 paintings and drawings of German model Helga Testorf (born c. 1933 [1] [2] or c. 1939 [3] [4]) created by American artist Andrew Wyeth between 1971 and 1985.
Otherworld is a 2002 painting by American artist Andrew Wyeth. [1] The painting depicts Andrew Wyeth's wife and manager, Betsy Wyeth , looking out the window of private jet. Andrew had originally titled the painting Betsy's World in reference to his famous painting Christina's World , but it was renamed Otherworld by Betsy.
Christina's World is a 1948 painting by American painter Andrew Wyeth and one of the best-known American paintings of the mid-20th century. It is a tempera work done in a realist style, depicting a woman in an incline position on the ground in a treeless, mostly tawny field, looking up at a gray house on the horizon, a barn, and various other small outbuildings are adjacent to the house. [1]
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