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Neoclassical architecture, sometimes referred to as Classical Revival architecture, is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy, France and Germany. [1] It became one of the most prominent architectural styles in the Western world. [2]
Notable revival styles include Neoclassical architecture (a revival of Classical architecture), and Gothic Revival (a revival of Gothic architecture). Revivalism is related to historicism. Western architecture of the 19th century, including Victorian architecture, is an example of Revivalism.
Neoclassicism is a revival of the many styles and spirit of classic antiquity inspired directly from the classical period, [7] which coincided and reflected the developments in philosophy and other areas of the Age of Enlightenment, and was initially a reaction against the excesses of the preceding Rococo style. [8]
New Classical architecture, also known as New Classicism or Contemporary Classical architecture, [1] is a contemporary movement that builds upon the principles of ...
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
Barrington Hall is one classic example of an antebellum home.. Antebellum architecture (from Antebellum South, Latin for "pre-war") is the neoclassical architectural style characteristic of the 19th-century Southern United States, especially the Deep South, from after the birth of the United States with the American Revolution, to the start of the American Civil War. [1]
Leo von Klenze's Walhalla in Regensburg, Bavaria (1842). In Germany, Greek Revival architecture is predominantly found in two centres, Berlin and Munich.In both locales, Doric was the court style rather than a popular movement and was heavily patronised by Frederick William II of Prussia and Ludwig I of Bavaria as the expression of their desires for their respective seats to become the capital ...
Poplar Forest, note the octagonal design. One characteristic which typifies Jefferson's architecture is the use of the octagon and octagonal forms in his designs. Palladio never used octagons, but Jefferson employed them as a design motif—halving them, elongating them, and employing them in whole as with the dome of Monticello, or the entire house at Poplar Forest.