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The song was written by Nawab Wajid Ali Shah, the 19th-century Nawab of Awadh, as a lament when he was exiled from his beloved Lucknow by the British Raj before the failed Rebellion of 1857. He uses the bidaai (bride's farewell) of a bride from her father's ( babul ) home as a metaphor for his own banishment from his beloved Lucknow to far away ...
19th-century hymns (1 C, 99 P) Pages in category "19th-century songs" ... Pages in category "19th-century songs" The following 94 pages are in this category, out of ...
It originated from the folk songs of the camel riders of Punjab and was developed as a form of classical music by Mian Ghulam Nabi Shori or Shori Mian, a court singer for Asaf-Ud-Dowlah, the Nawab of Awadh. "Nidhubabur Tappa", or tappas sung by Nidhu Babu were very popular in 18th and 19th-century Bengal.
This is a non-diffusing parent category of Category:19th-century Indian male musicians and Category:19th-century Indian women musicians The contents of these subcategories can also be found within this category, or in diffusing subcategories of it.
This article has an unclear citation style. The references used may be made clearer with a different or consistent style of citation and footnoting. (July 2020) (Learn how and when to remove this message) Tyagaraja, known for his extensive contributions to Carnatic music Music of India Genres Traditional Classical Carnatic Odissi Hindustani Folk Borgeet Baul Bhajan Kirtana Shyama Sangeet ...
19th-century Indian classical singers (1 C) Pages in category "19th-century Indian singers" The following 7 pages are in this category, out of 7 total.
Nautch dancers in Old Delhi, c. 1874 Nautch dancer in Calcutta, c. 1900 A Raja awaits the arrival of Nautch dancers A Nautch girl performing, 1862. The nautch (/ ˈ n ɔː tʃ /, meaning "dance" or "dancing" from Hindustani: "naach") [1] was a popular court dance performed by girls (known as "nautch girls") in later Mughal and colonial India. [2]
Indian classical music is the classical music of the Indian subcontinent. [1] It is generally described using terms like Shastriya Sangeet and Marg Sangeet. [2] [3] It has two major traditions: the North Indian classical music known as Hindustani and the South Indian expression known as Carnatic. [4]