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Though the books of Forrest Reid (1875–1947) are not well known today, he has been labelled 'the first Ulster novelist of European stature', and comparisons have been drawn between his own coming of age novel of Protestant Belfast, Following Darkness (1912), and James Joyce's seminal novel of growing up in Catholic Dublin, A Portrait of the Artist as a Young Man (1916).
A setting (or backdrop) is the time and geographic location within a narrative, either non-fiction or fiction. It is a literary element. The setting initiates the main backdrop and mood for a story. The setting can be referred to as story world [1] or milieu to include a context (especially
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Milkman is a 2018 historical psychological fiction novel written by the Northern Irish author Anna Burns. [1] Set during the Troubles in Northern Ireland, the story follows an 18-year-old girl, "middle sister", who is harassed by an older married man known as "the milkman" and then as "Milkman".
The book tells the story of the intertwining lives of the following families: the Larkins and O'Neills, Catholic hill farmers from the fictional town of Ballyutogue in County Donegal; the Macleods, Protestant shipyard workers from Belfast; and the Hubbles. The book describes a number of historical events, from the Great Famine of the 1840s to ...
Carolyn Jess-Cooke was born in Belfast, Northern Ireland in 1978. She was educated at The Queen's University of Belfast , where she received a BA (Hons), MA, and PhD by the age of 25. At 26 she took up a lectureship in film studies at the University of Sunderland , where she established herself as a film theorist, publishing numerous articles ...
Her first was a collection of her earlier short stories entitled A Belfast Woman (1980). [5] [6] This was followed by A Literary Woman (1990). She also wrote a novel entitled Give them Stones (1987), and several children's books including Orla was Six, Orla at School, A Family Tree, and Hannah, or the Pink Balloons.
Caldwell's first novel, Where They Were Missed, set in Belfast and County Donegal, was published in February 2006 by Faber & Faber [7] and short-listed for the 2006 Dylan Thomas Prize. [8] It was described by Vogue as "a debut reminiscent of Ian McEwan's The Cement Garden and Trezza Azzopardi's The Hiding Place. [citation needed]