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The variations have been called "Beethoven’s most overt pianistic homage to the Baroque." [2] The variations differ in character, technical difficulty and dynamics. Pianist Yue Chu points out that the key of C minor indicates that "Beethoven was serious when composing this work," despite his apparent misgivings later. [3]
Support—There are some minor slips, but not enough to oppose. This style suits the performer much more than some other styles. Tony (talk) 09:18, 23 February 2011 (UTC) Promoted Beethoven - 32 Variations in C Minor, WoO 80.ogg--Sven Manguard Wha? 06:58, 27 February 2011 (UTC)
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Pages in category "Piano variations by Ludwig van Beethoven" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes .
Beethoven does not seek variety by using key-changes, staying with Diabelli's C major for most of the set: among the first twenty-eight variations, he uses the tonic minor only once, in Variation 9. Then, nearing the conclusion, Beethoven uses C minor for Variations 29–31 and for Variation 32, a triple fugue, he switches to E ♭ major ...
He was the first Australian pianist to record the complete series of 32 piano sonatas by Ludwig van Beethoven. [3] He also recorded Beethoven's five piano concertos, the Diabelli Variations, C minor variations, Andante favori, Für Elise and the 3 Electoral "Kurfürstensonaten" sonatas as well as a reconstructed "Fantasy Sonata in D". [4]
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During the Classical era, C minor was used infrequently and often for works of a particularly turbulent cast. [citation needed] Mozart, for instance, wrote only very few works in this key, but they are among his most dramatic ones (the twenty-fourth piano concerto, the fourteenth piano sonata, the Masonic Funeral Music, the Adagio and Fugue in C minor and the Great Mass in C minor, for instance).
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related to: beethoven 32 variations c minor piano chord jade green hair