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Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compete with Athens in terms of innovation, quality and production capacity. Of the red-figure vases produced in Athens alone, more than 40,000 specimens and fragments survive ...
Circa 520 BC the red-figure technique was developed and was gradually introduced in the form of the bilingual vase by the Andokides Painter, Oltos and Psiax. [42] Red-figure quickly eclipsed black-figure, yet in the unique form of the Panathanaic Amphora, black-figure continued to be utilised well into the 4th century BC.
The Kerch style / ˈ k ɜːr tʃ /, also referred to as Kerch vases, is an archaeological term describing vases from the final phase of Attic red-figure pottery production. Their exact chronology remains problematic, but they are generally assumed to have been produced roughly between 375 and 330/20 BC.
It is the work of the Suessula Painter, an Athenian vase-painter whose name is unknown. He worked in both Corinth and Athens and is recognizable by his style, with great freedom of posture and a unique shading of figures. Created around 410–400 BCE, this notable example of red-figure pottery stands 69.5 cm tall, 32 cm wide.
Gradually, the new red-figure technique began to replace the older black-figure style. Euphronios was to become one of the most important representatives of early red-figure vase painting in Athens. Together with a few other contemporary young painters, modern scholarship counts him as part of the "Pioneer Group" of red-figure painting.
Painted around 510 BCE in the red figure pottery style, the Revelers vase was found in an Etruscan tomb in Vulci, Italy. The painting is attributed to Euthymides. The vase is an amphora (a type of vessel normally used for storage), painted with two scenes: one depicts three nude partygoers, and the other the Trojan hero Hector arming for battle.
Red-figured kylix, c. 480–470 BC. From Cerveteri . Vaticans Museums. Douris or Duris (Ancient Greek: Δοῦρις, Douris) was an ancient Athenian red-figure vase-painter and potter active c. 500 to 460 BCE.
The Meidias Painter was an Athenian red-figure vase painter in Ancient Greece, active in the last quarter of the 5th century BCE (fl. c. 420 to c. 400 BCE). He is named after the potter whose signature is found on a large hydria of the Meidias Painter’s decoration (BM E 224), excavated from an Etruscan tomb.
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