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Piece of Sky" was originally planned to be the next single after "Golden Green", but this plan was abandoned when Rob Jones left the band in December 1989. The promotional video originally filmed for "Piece of Sky" was re-worked (notably with all shots of Rob Jones being removed) and ultimately used for their next single, "Circlesquare", which ...
Sheet music cover featuring Rudy Vallée "Goodnight, Sweetheart" is a British popular song written in 1931. It has been performed by Al Bowlly, Kate Smith, Connie Francis (for her 1959 album My Thanks to You), Dick Haymes (for his Imagination album), Gordon MacRae (for his 1957 album Motion Picture Soundstage), [1] Sarah Vaughan (for her 1962 album Sarah + 2) and Dean Martin (for his 1958 ...
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
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Written during Lennon's so-called "Lost Weekend" with May Pang, the lyrics depict the pair hanging out with cohorts (including Starr, Harry Nilsson and Keith Moon) in Los Angeles. The term "Goodnight Vienna" is English slang meaning "it's all over", and the slang term " bohunk " is a mildly derogatory term for an immigrant of Bohemian descent.
The Bowlly rendition was used twice in Stanley Kubrick's 1980 classic horror film The Shining; once in the Gold Room (ballroom) scene, and also over the closing of the film as the camera closes in the protagonist in a photograph from the early 20th century, carrying over into the credits.
"Good Night" is a song by the English rock band the Beatles from their 1968 double album The Beatles (also known as the "White Album"). It was written by John Lennon and credited to Lennon–McCartney. The lead vocalist on the recording is Ringo Starr, who was the only Beatle to appear on the track.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
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