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Natural stone is used as architectural stone (construction, flooring, cladding, counter tops, curbing, etc.) and as raw block and monument stone for the funerary trade. Natural stone is also used in custom stone engraving. The engraved stone can be either decorative or functional. Natural memorial stones are used as natural burial markers.
Scottish charm-stones are typically large smooth rounded pieces of rock crystal or other forms of quartz. They were credited with healing or quasi-magical powers, often through water that the charmstone had been dipped into, which was considered efficacious against various ills of both humans and farm animals.
This is a list of monoliths organized according to the size of the largest block of stone on the site. A monolith is a large stone which has been used to build a structure or monument, either alone or together with other stones. In this list at least one colossal stone over ten tons has been moved to create the structure or monument.
English medieval walls often contain a mixture of cobbles, rubble and re-used brick, though the picture from Thetford shows almost exclusively cobbles. Some cobblestone architecture shows consistent matching in the size of the stones used, shape, and color. [5] This method of construction has been referred to as a form of folk art. [10]
Ashlar (/ ˈ æ ʃ l ər /) is a cut and dressed stone, worked using a chisel to achieve a specific form, typically rectangular in shape. The term can also refer to a structure built from such stones. [1] Ashlar is the finest stone masonry unit, and is generally rectangular . It was described by Vitruvius as opus isodomum or trapezoidal.
Early observers saw the processing of mast using stones, and one later recreation achieved similar results: nuts were placed, one at a time, on stone (an "anvil" stone) and then struck with a smaller "hammer" stone: "As nuts were cracked in this manner a pit developed in the lower stone; the pit deepened as additional nuts were cracked, and ...
Illustration to Serlio, rusticated doorway of the type now called a Gibbs surround, 1537. Although rustication is known from a few buildings of Greek and Roman antiquity, for example Rome's Porta Maggiore, the method first became popular during the Renaissance, when the stone work of lower floors and sometimes entire facades of buildings were finished in this manner. [4]
Particularly fine examples are in Victoria, where the stones can be very large (up to 1 metre (3 ft 3 in) high). For example, the stone arrangement at Wurdi Youang consists of about 100 stones arranged in an egg-shaped oval about 50 metres (160 ft) across. Each stone is well-embedded into the soil, and many have "trigger-stones" to support them.
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