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Ponce Creole is the name given to the architectural style that is unique to Ponce: "San Juan, the capital, was planned and built by the Spanish conquerors, one writer points out, while Ponce is the work of its native sons, making it a truly authentic Puerto Rican city."
Southwestern wall along Paseo de La Princesa. The southern portion of the wall extends for about half a mile between La Fortaleza and the Bastión de la Derecha de San Justo y Pastor (the "Left-side Bastion") along the contemporary Paseo de La Princesa, which was the site of a former military prison known as La Princesa Prison. [18]
Casa de los Ponce de León; Casa de Piedra (Aguadilla, Puerto Rico) Casa del Rey; Casa Sauri; Casilla del Caminero (Mayagüez) Castillo San Cristóbal (San Juan) Castillo San Felipe del Morro; Catedral de Nuestra Señora de Guadalupe; Catedral de San Felipe Apóstol (Arecibo, Puerto Rico) Cathedral of San Juan, Puerto Rico
Casa Font-Ubides (English: Font-Ubides House), also known as the Residencia Monsanto (English: Monsanto Residence) is a historic building located on the north side of Castillo Street in Ponce, Puerto Rico, in the city's historic district. The building dates from 1913. It was designed by the architect Blas Silva.
July 19, 1995 (Highway 9959, km 3, spanning Río Canóvanas: Canóvanas Pueblo and Canóvanas: Built in 1892 on the 19th century highway between Río Piedras and Río Grande, this iron and masonry bridge is the best preserved example of an Eiffel pony truss bridge in Puerto Rico or the United States.
The flags of the United States, Puerto Rico, and the Spanish Empire fly over San Cristóbal. Castillo San Cristóbal was built on a hill originally known as the Cerro de la Horca ("gallows Hill") or the Cerro del Quemadero ("burner’s hill"), changed to Cerro de San Cristóbal in honor of Saint Christopher, the patron of travelers.
When the Spanish first arrived in Puerto Rico, they noted that the native Taino’s architectural structures were susceptible to decay. Subsequently (among other aspects of their society), Tainos were viewed as naive and inferior, and Spanish depictions of their structures tended to give them a more Neoclassical look (which was the basis of European architecture).