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The original lyrics are probably by Mozart himself; [1] they include the words for "good night" in five different languages (Latin, Italian, French, English, and German). [2] [3] The phrase "gute Nacht, gute Nacht, / scheiß ins Bett daß' kracht", found in the fourth-to-last and third-to-last lines, closely resembles a similar expression found in a postscript to one of Wolfgang's letters by ...
"Morgen!" ("Tomorrow!") is the last in a set of four songs composed in 1894 by the German composer Richard Strauss.It is designated Opus 27, Number 4.. The text of this Lied, the German love poem "Morgen!", was written by Strauss's contemporary, John Henry Mackay, who was of partly Scottish descent but brought up in Germany.
The song title was disambiguated to its first line, "Danke für diesen guten Morgen" (Thanks for this good morning). The song has been included in the hymnal Evangelisches Gesangbuch . It has been called the best-known German sacred song .
"Morgen" is a popular song (1959), originally performed in German by Croatian singer Ivo Robić and The Song-Masters, accompanied by Bert Kaempfert and his orchestra. 1959 single by Ivo Robić "Morgen"
Bislama language (ISO 639 alpha-3 code bis) Bisj pole , or Bis pole, is a ritual artifact of the Asmat people of New Guinea Bismarck Municipal Airport , North Dakota, U.S., IATA code and FAA LID: BIS
Schließe mir die Augen beide" is a poem by Theodor Storm from his 1851 collection Sommergeschichten und Lieder (Summer Stories and Songs). [1] Helene Nahowski (1910), by Arnold Schoenberg. It was twice set to music by Alban Berg. Berg composed his first setting in 1907, dedicating it to his future wife, Helene Nahowski .
Van den Bos was initially set to fight Marvin Eastman for the vacant WPMF World Super Heavyweight (+95.454 kg/210.4 lb) Championship at Muaythai Superfight in Pattaya, Thailand on May 13, 2013. [ 1 ] [ 2 ] The event was pushed back to June 14, 2013, however, [ 3 ] [ 4 ] and he KO'd Eastman to take the belt.
Von morgens bis mitternachts is an expressionist play written by the German dramatist Georg Kaiser in 1912. The play was banned by German censors for unclear reasons; contemporary accounts stated that the play was neither immoral nor anarchistic.