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The Roman version of the Pange lingua hymn was the basis for a famous composition by Renaissance composer Josquin des Prez, the Missa Pange lingua. An elaborate fantasy on the hymn, the mass is one of the composer's last works and has been dated to the period from 1515 to 1521, since it was not included by Petrucci in his 1514 collection of ...
Tantum ergo" is the incipit of the last two verses of Pange lingua, a Medieval Latin hymn composed by St Thomas Aquinas circa A.D. 1264. The "Genitori genitoque" and "Procedenti ab utroque" portions are adapted from Adam of Saint Victor's sequence for Pentecost. [1] The hymn's Latin incipit literally translates to "Therefore so great".
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Pange lingua may refer to either of two Mediaeval Latin hymns: "Pange lingua gloriosi proelium certaminis" by Venantius Fortunatus, a.D. 570, extolling the triumph of the Cross (the Passion of Jesus Christ) and thus used during Holy Week. [1] Fortunatus wrote it for a procession that brought a part of the true Cross to Queen Radegunda that year ...
The Missa Pange lingua is a musical setting of the Ordinary of the Mass by Franco-Flemish composer Josquin des Prez, probably dating from around 1515, near the end of his life. Most likely his last mass, it is an extended fantasia on the Pange Lingua hymn, and is one of Josquin's most famous mass settings.
"Pange lingua gloriosi proelium certaminis" (Latin for 'Sing, tongue, the battle of glorious combat') is a 6th-century AD Latin hymn generally credited to the Christian poet St. Venantius Fortunatus, Bishop of Poitiers, celebrating the Passion of Christ.
Before 1841 only a single work, a motet, has indubitably been composed by Bruckner. Pange lingua in C major (WAB 31): [1]. First version : a setting of 28 bars of the Pange lingua for choir a cappella, which Bruckner composed in 1835/1836 when, as eleven-year-old boy, he was studying by Johann Baptist Weiß in Hörsching.
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