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Machen's popularity in 1920s America has been noted, and his work was an influence on the development of the pulp horror found in magazines like Weird Tales and on such notable fantasy writers as James Branch Cabell, Clark Ashton Smith, Robert E. Howard, [17] Frank Belknap Long (who wrote a tribute to Machen in verse, "On Reading Arthur Machen ...
Machen only viewed the two works as connected after they were finished. Once he decided the two stories were connected, Machen wrote the rest of The Great God Pan in a single evening save for its final chapter. Machen did not think of an ending for the tale for months, and in that time believed that the novella would remain unfinished forever.
On 29 September 1914, the Welsh author Arthur Machen published a short story entitled "The Bowmen" in The Evening News, inspired by accounts that he had read of the fighting at Mons and an idea he had had soon after the battle. Machen, who had already written some factual articles on the conflict for the paper, set his story at the time of the ...
"The White People" is a horror short story by Welsh author Arthur Machen. Written in the late 1890s, it was first published in 1904 in Horlick's Magazine, edited by Machen's friend A. E. Waite, then reprinted in Machen's collection The House of Souls (1906).
Pages in category "Works by Arthur Machen" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. G. The Great God Pan;
In the case of Arthur, the writers drew on 9/11 in the Season 7 episode, "April 9th," which premiered in November 2002. "It was another way to talk with kids about something scary that happens and ...
The Green Round is a horror novel by Welsh author Arthur Machen. It was originally published by Ernest Benn Limited in 1933. The first U.S. edition was published by Arkham House in 1968 in an edition of 2,058 copies. It was the only book by Machen to be published by Arkham House.
Machen drew copiously on his own early years in Wales and London, and the book as a whole is an exploration through imagination of a potential fate which he personally avoided. One of the first explorations in fiction of the figure of the doomed artist, who is biographically so much a part of the decadent 1890s.