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The creepypasta showed an image exemplifying a liminal space—a hallway with yellow carpets and wallpaper—with a caption purporting that by "noclipping out of bounds in real life", one may enter the Backrooms, an empty wasteland of corridors with nothing but "the stink of old moist carpet, the madness of mono-yellow, the endless background ...
In most cases, they're abandoned or empty (of people) spaces: offices, streets, corridors, hotel hallways, etc. Liminal spaces gained a lot of popularity in 2019 when a post on 4chan about The ...
The original Backrooms image posted on 4chan, of a HobbyTown under renovation.. The Backrooms are a fictional location originating from a 2019 4chan thread. One of the best known examples of the liminal space aesthetic, the Backrooms are usually portrayed as an impossibly large extradimensional expanse of empty rooms, accessed by exiting ("no-clipping out of") reality.
Blue–red contrast demonstrating depth perception effects 3 Layers of depths "Rivers, Valleys & Mountains". Chromostereopsis is a visual illusion whereby the impression of depth is conveyed in two-dimensional color images, usually of red–blue or red–green colors, but can also be perceived with red–grey or blue–grey images.
Videos of eerie noises erupting from the skies have recently surfaced on YouTube, sending people into a panic around the world. The video above shows a particularly frightening episode of this ...
Unlike liminal events, liminoid experiences are conditional and do not result in a change of status, but merely serve as transitional moments in time. [2] The liminal is part of society, an aspect of social or religious rites, while the liminoid is a break from society, part of "play" or "playing".
“The rumbling of Earth’s magnetic field is accompanied by a representation of a geomagnetic storm that resulted from a solar flare on November 3rd, 2011, and indeed it sounds pretty scary."
The uncanny valley (Japanese: 不気味の谷, Hepburn: bukimi no tani) effect is a hypothesized psychological and aesthetic relation between an object's degree of resemblance to a human being and the emotional response to the object.