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Frederica von Stade: Chants d'Auvergne, Vol. 1 is a 51-minute studio album presenting seventeen of the thirty traditional Auvergnat songs collected and arranged by Joseph Canteloube, performed by von Stade and the Royal Philharmonic Orchestra under the direction of Antonio de Almeida. It was released in 1982. [1]
The 27 songs, collected in five series, are in the local language, Auvergnat, a dialect of Occitan. The best-known of the songs is the "Baïlèro", which has been frequently recorded and performed, sometimes with slight variations of Canteloube's arrangement, such as for choir or instrumental performance, rather than the original soprano solo.
Joseph Canteloube, c.1905. Marie-Joseph Canteloube de Malaret (French pronunciation: [maʁi ʒozɛf kɑ̃tlub də malaʁɛ]; 21 October 1879 – 4 November 1957) was a French composer, musicologist, and author best known for his collections of orchestrated folksongs from the Auvergne region, Chants d'Auvergne.
Auvergne is a region in France. Its best-known form of folk music is that played on the cabrette (little goat in Auvergnat), a bagpipe made of goatskin. This is used to play swift, 3/8 dance music, slow airs (regrets) and other styles.
Frederica von Stade: Chants d'Auvergne, Vol. 2 & Triptyque is a 60-minute studio album containing thirteen of the thirty traditional Auvergnat songs collected and arranged by Joseph Canteloube, together with a song cycle of his own composition, performed by von Stade and the Royal Philharmonic Orchestra under the direction of Antonio de Almeida.
The original setting uses Auvergnat, the Occitan dialect of the region, but also has been written in modern French. Rhapsodie d'Auvergne, Op. 73, is a concerted work for piano and orchestra by Camille Saint-Saëns (1884). It includes a melody that the composer heard while traveling in the region.
Averoigne is a fictional counterpart of a historical province in France, detailed in a series of short stories by the American writer Clark Ashton Smith. Smith may have based Averoigne on the actual province of Auvergne , [ 1 ] but its name was probably influenced by the French department of Aveyron , immediately south of Auvergne, due to the ...
Some anti-war songs lament aspects of wars, while others patronize war.Most promote peace in some form, while others sing out against specific armed conflicts. Still others depict the physical and psychological destruction that warfare causes to soldiers, innocent civilians, and humanity as a whole.