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By US box office statistics, the most successful Jet Li film as of August 2010 is Lethal Weapon 4, which grossed over $130 million domestically, while the second is The Expendables with over $103 million. [102] Hero is the third most successful foreign language film in the US, [103] and one of the most critically acclaimed Li movies. [104]
Kit Li: A.k.a. Meltdown: My Father Is a Hero: 給爸爸的信: Kung Wei: A.k.a. The Enforcer and Letter to Daddy: 1996: Black Mask: 黑俠: Michael / Simon / Tsui Chik / Black Mask: Released in 1999 in the U.S. Dr. Wai in "The Scripture with No Words" 冒險王: Chow Si-Kit: A.k.a. Adventure King and The Scripture With No Words: 1997: Once Upon ...
High Risk (released under the alternative title Meltdown in the United States and Super Bodyguard in the Philippines) is a 1995 Hong Kong action comedy film written, produced and directed by Wong Jing and starring Jet Li, Jacky Cheung, Chingmy Yau, Charlie Yeung and Yang Chung-hsien. Corey Yuen serves as the film's fight choreographer.
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Fong Sai-yuk (Chinese: 方世玉; pinyin: Fāng Shì Yù, a.k.a. The Legend of Fong Sai-yuk or simply The Legend; [2] [1] released in the Philippines as The Prodigal Fighter) is a 1993 Hong Kong action-comedy film directed by Corey Yuen and produced by Jet Li, [3] who stars as Chinese folk hero Fong Sai-yuk. [4]
The film stars Jet Li, Lau Ching-wan, Karen Mok, Françoise Yip, Patrick Lung, and Anthony Wong. The film was released theatrically in Hong Kong on 9 November 1996. [4] In 1999, the film was dubbed in English and released in the United States by Artisan Entertainment. [5] The film is an adaptation of the 1992 manhua Black Mask by Li Chi-Tak. [6]
As a noun, this word refers to an individual who fights in a two-person match (usually with gloved fists). OK, that's it for hints—I don't want to totally give it away before revealing the answer!
The film starred Jet Li as Chinese martial arts master and folk hero of Cantonese ethnicity, Wong Fei-hung and the action choreography was done by Yuen Woo-ping. However Last Hero in China differs greatly in tone from the Once Upon a Time in China films as it contains stronger elements of violence and broader, more slapstick, comedy.