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Ferdinand Victor Eugène Delacroix (/ ˈ d ɛ l ə k r w ɑː, ˌ d ɛ l ə ˈ k r w ɑː / DEL-ə-krwah, - KRWAH; [1] French: [øʒɛn dəlakʁwa]; 26 April 1798 – 13 August 1863) was a French Romantic artist who was regarded as the leader of the French Romantic school.
In 1832, while in Morocco as part of a French diplomatic mission, Delacroix witnessed the devotional activities of members of the Isawiyya brotherhood in Tangiers.. Initially the artist did a sketch from his memories of the event, then later several watercolors, and finally four of five years later this painting.
The Barque of Dante (French: La Barque de Dante), also Dante and Virgil in Hell (Dante et Virgile aux enfers), is the first major painting by the French artist Eugène Delacroix, and is a work signalling the shift in the character of narrative painting, from Neo-Classicism towards Romanticism. [1]
The 1834 painting was first displayed at the 1834 Salon in Paris, where it received mixed reviews. The art critic Gustave Plance wrote in a review for Revue des deux mondes that Delacroix's painting Femmes d'Alger dans leur Appartement was about painting and nothing more, painting that is fresh, vigorous, advanced with spirit, and of an audacity completely venetian, yet yielding nothing to the ...
Scenes from the Massacre at Chios (French: Scènes des massacres de Scio) is the second major oil painting by the French artist Eugène Delacroix. The work is more than four meters tall, and shows some of the horror of the wartime destruction visited on the Island of Chios in the Chios massacre.
The museum is located in painter Eugène Delacroix's last apartment; he moved to this location on December 28, 1857, and remained until his death on August 13, 1863. In 1929, the Société des Amis d'Eugène Delacroix was formed to prevent the building's destruction; in 1952, the Société acquired the apartment, studio, and garden, and in 1954 donated the property to the French government.
Greece on the Ruins of Missolonghi (French: La Grèce sur les ruines de Missolonghi) is an 1826 oil painting by French painter Eugène Delacroix, and now preserved at the Musée des Beaux-Arts de Bordeaux.
By the time Delacroix painted Liberty Leading the People, he was already the acknowledged leader of the Romantic school in French painting. [4] Delacroix, who was born as the Age of Enlightenment was giving way to the ideas and style of romanticism, rejected the emphasis on precise drawing that characterised the academic art of his time, and instead gave a new prominence to freely brushed colour.