Search results
Results from the WOW.Com Content Network
Free-funk is a combination of avant-garde jazz with funk music that developed in the 1970s. Leaders of the genre include Ornette Coleman and his Prime Time group, [ 1 ] Ronald Shannon Jackson and his group Decoding Society, Jamaaladeen Tacuma and his group Spectacle and James "Blood" Ulmer .
The song has a characteristic bass line and is set to a funk beat.For the most part, it is built entirely on a two-chord vamp: a i-IV in B ♭ Dorian (B ♭ m7 and E ♭ 7). [5] The piece's signature 12-note bass line was played by Hancock on an ARP Odyssey, [6] [7] as was one of the keyboard solos.
James Lee Jamerson (January 29, 1936 – August 2, 1983) [1] [a] was an American bassist.He was the uncredited bassist on most of the Motown Records hits in the 1960s and early 1970s (Motown did not list session musician credits on their releases until 1971), and is now regarded as one of the greatest and most influential bass players in modern music history.
Jazz fusion bassist Jaco Pastorius was known for his expressive fretless electric bass playing. In the experimental post 1960s eras, which saw the development of free jazz and jazz-rock fusion, some of the influential bassists included Charles Mingus (1922–1979) and free jazz and post-bop bassist Charlie Haden (1937–2014).
In 2007, The New York Times stated, "Dumpstaphunk is the best funk band from New Orleans right now." [4]From annual performances at New Orleans' Jazz Fest — "The colossal low end and filthy grooves they threw down from the Gentilly Stage must have set a Jazz Fest record for baddest bass jams ever" (Bass Player magazine, 2012) [5] — to music rooms and festivals across the nation (Bonnaroo ...
Fred Thomas is an American bassist best known for his work with James Brown for over thirty years. [1] He performed on many of Brown's funk and R&B hits of the 1970s. His most recent works include releasing three singles in 2024 as a solo artist, and his recordings with The J.B.'s in 2018.
AOL Mail welcomes Verizon customers to our safe and delightful email experience!
Free jazz's unorthodox structures and performance techniques are not as amenable to transcription as other jazz styles. However, "Lonely Woman" (1959) a blues by saxophonist Ornette Coleman, is perhaps the closest thing to a standard in free jazz, having been recorded by dozens of notable performers. [1]