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A gul (also written gol, göl and gül) is a medallion-like design element typical of traditional hand-woven carpets from Central and West Asia. In Turkmen weavings they are often repeated to form the pattern in the main field.
[4] [5] During British rule, Shataranji carpets became commonplace throughout the Indian subcontinent, being exported to various locations in Sri Lanka, Burma, Indonesia, Thailand and Malaysia. [citation needed] After the Partition of India, Shataranji started losing popularity, nearly becoming extinct. It has seen a resurgence in the past few ...
Ersari carpet, early 19th century Ersari gul (pattern) as depicted on the Turkmen flag and arms. Ersari are direct descendants of the Oghuz Turks. It is believed that they come from the Salur tribe of the Oghuz Turks, [2] just as Turkmen Yomud tribe.
A Turkmen rug (Turkmen: Türkmen haly; or Turkmen carpet or Turkoman carpet) is a type of handmade floor-covering textile traditionally originating in Central Asia. It is useful to distinguish between the original Turkmen tribal rugs and the rugs produced in large numbers for export mainly in Pakistan and Iran today.
The varied patterns, dyes, and materials used in prayer rugs reflect not only regional aesthetics but also the desire to create a sensory experience that enhances the act of prayer. [22] During prayer, the individual kneels at the base of the rug and performs sud̲j̲ūd, prostrating with their forehead, nose, hands, knees, and toes touching ...
There was also "kosh uyurma" pattern which was waved from the 3-4 layers of white and black threads. One of the main parts of the carpet is "chetki kora"; it is a train of the edges were used for its manufacture. Making of takir gilam (weaving technique) is a complex process, and they used an average of 12–14 kg of yarn.
Placed upon a green field is a symbolic representation of the country's famous carpet industry. It was introduced as the flag of Turkmenistan on 27 September 1992 to replace the Soviet-era flag which consisted of a red background with two light blue bars in the middle. The modified version with a 2:3 ratio was adopted on 23 January 2001.
Kerman carpets of the 18th century and later very often use "lattice" patterns, with the central field divided by a lattice design giving many small compartments. A notable example is a carpet having belonged to William Morris , now on display at the Victoria and Albert Museum . [ 1 ]
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