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Bonaparte, First Consul is an oil painting on canvas by French painter Antoine-Jean Gros, from 1802, which is a full-length portrait of Napoleon Bonaparte as First Consul. . The painting was commissioned by Napoleon himself who offered it to Jean-Jacques-Régis de Cambacérès, the Second Cons
Napoleon Crossing the Alps (also known as Napoleon at the Saint-Bernard Pass or Bonaparte Crossing the Alps; listed as Le Premier Consul franchissant les Alpes au col du Grand Saint-Bernard) is a series of five oil on canvas equestrian portraits of Napoleon Bonaparte painted by the French artist Jacques-Louis David between 1801 and 1805.
The pose is most often associated with Napoleon Bonaparte due to its use in several portraits made by his artist, Jacques-Louis David, amongst them the 1812 painting Napoleon in His Study. [1] The pose, thought of as being stately, was copied by other portrait painters across Europe and America.
Bonaparte, First Consul (Bonaparte, Premier Consul) is an 1804 portrait of Napoleon Bonaparte as First Consul by Jean-Auguste-Dominique Ingres. The painting is now in the collection of the Curtius Museum in Liège. Posing the hand inside the waistcoat was often used in portraits of rulers to indicate calm and stable leadership. [1]
Napoleon at Austerlitz; Napoleon at the Tuileries; Napoleon Crossing the Alps; Napoleon I as Emperor; Napoleon I at Fontainebleau on March 31, 1814; Napoleon I on His Imperial Throne; Napoleon in Imperial Costume; Napoleon in the Wilderness; Napoleon Leading the Army over the Alps; Napoleon on the Battlefield of Eylau; Napoleon on the Bellerophon
Engraving of Robert Lefèvre's Portrait of Napoleon in his coronation costume, engraving in the treatise by the Pausanias français. The painting shows Napoleon as emperor, in the costume he wore for his coronation, seated on a circular-backed throne with armrests adorned with ivory balls. In his right hand, he holds the scepter of Charlemagne ...
His portrait of French commander Napoleon Bonaparte at the Battle of Arcole in 1796 brought Gros to public attention and gained the patronage of Napoleon. [3] [4] After traveling with Napoleon's army for several years, he returned to Paris in 1799. In addition to producing several large paintings of battles and other events in Napoleon's life ...
Not coincidentally the work was made in the same year that the Retour des cendres (return of the ashes), or the return of Napoleon's mortal remains from the island of Saint Helena took place. The original of the painting is held at the Museum der bildenden Künste , in Leipzig , while there are copies at the Army Museum , in Paris , [ 1 ] [ 2 ...
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