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The boogie was originally played on the piano in boogie-woogie music and adapted to guitar.Boogie-woogie is a style of blues piano playing characterized by an up-tempo rhythm, a repeated melodic pattern in the bass, and a series of improvised variations in the treble. [3]
It used a simplified version of the repeating bass patterns, variously termed a boogie shuffle, boogie bass pattern, or boogie riff. [2] The pattern is typically played on two of the bass strings of a rhythm guitar and alternates between the fifth and sixth degrees of a major scale while simultaneously playing the root note of the chord. [2]
The hillbilly boogie period lasted into the 1950s, the last recordings of this era were made by Tennessee Ernie Ford with Cliffie Stone and his orchestra with the guitar duo Jimmy Bryant and Speedy West. Bill Haley and the Saddlemen recorded "Sundown Boogie" in 1952, which once again featured the guitar playing the boogie-woogie rhythm.
Smith first recorded "Guitar Boogie" in 1945 with the Rambler Trio, with Don Reno on rhythm guitar and Roy Lear on bass. There has been conflicting information on the type of guitar Smith used for the recording; several sources identify it as an acoustic guitar [ 7 ] [ 8 ] [ 9 ] and others as an electric guitar.
Patrice Rushen 2010. Boogie (sometimes called post-disco [1] [2] [3] and electro-funk) [3] is a rhythm and blues genre of electronic dance music with close ties to the post-disco style, that first emerged in the United States during the late 1970s to mid-1980s.
Boogie-woogie is based on a left-hand piano ostinato or walking-bass line and, as performed on guitar, forms the popular 1940s instrumental "Guitar Boogie". [ 5 ] [ d ] Rather than being derivative, Hooker's boogie becomes "as overwhelmingly personal a piece as anything ever done in the blues".
The style of music heard on race records was later called "rhythm and blues" (R & B). As the music became more popular, more people wanted to perform it. General patterns that existed in the blues were formalized, one of these being the 12-bar blues. [2]
a style of funk characterized by a mid-tempo post-disco rhythm, prominent use of slap bass, loud clapping sound, and its new wave melodic chords and synthesizers. Boogie rock – a style of blues rock that fuses rock music with boogie-woogie. Boogie-woogie – a danceable style of the blues centered on a specific form of rhythm called boogie.