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The American artist Georgia O'Keeffe is best known for her close-up, or large-scale flower paintings, [1] which she painted from the mid-1920s through the 1950s. [2] She made about 200 paintings of flowers of the more than 2,000 paintings that she made over her career. [3] One of her paintings, Jimson Weed, sold for $44.4 million, making it the ...
Hilda Belcher, The Checkered Dress, 1907, Frances Lehman Loeb Art Center at Vassar College.The painting is likely a portrait of Georgia O'Keeffe. [a]Georgia O'Keeffe was born on November 15, 1887, [15] [16] in a farmhouse in the town of Sun Prairie, Wisconsin.
An older, but similar work by O'Keeffe, Jimson Weed/White Flower No. 1 (1932), focusing on only a single flower, was sold by the Georgia O'Keeffe Museum at auction to Walmart heiress Alice Walton in 2014 for $44,405,000, more than tripling the previous world record auction for a piece by a female artist. [5]
A recent study by online art gallery Singulart found that Wisconsin native Georgia O'Keeffe (1887-1986) is the most displayed female artist across American museum art collections.
Cow's Skull: Red, White, and Blue is a painting by American artist Georgia O'Keeffe.It depicts a cow skull centered in front of what appears to be a cloth background. In the center of the background is a vertical black stripe, surrounded by two vertical stripes of white laced with blue.
A small painting of a close-up of a red canna lily was made by O'Keeffe in 1919. The 8 in × 6 in (20.3 cm × 15.2 cm) oil painting depicts the flower against a dark cloudy background. Owned by a private collector, it is on extended loan to the Georgia O'Keeffe Museum. [7]
An Emmy- and Academy Award-winning documentary filmmaker, Wagner "stumbled into" O'Keeffe's world when he saw the 2018 "O'Keeffe in Charlottesville" exhibit at the University of Virginia.
Light Coming on the Plains is the name of three watercolor paintings made by Georgia O'Keeffe in 1917. They were made when O'Keeffe was teaching at West Texas State Normal College in Canyon, Texas. [1] They reflect the evolution of her work towards pure abstraction, and an early American modernist landscape. They were unique for their time.