Search results
Results from the WOW.Com Content Network
However, when women portray themselves, self-portraiture takes on additional meanings, often subverting social and artistic norms. For women artists, the practice of self-portraiture has historically represented a territory of claiming space in a predominantly male world, in which their contributions were often ignored or marginalized. [1]
Art historians have debated this portrayal of Danaë, with some noting an open, inviting posture, while others observe the clenched fist and closed legs. [5] Some scholars believe this painting refers directly to the rape the artist endured a few years prior, [3] while others argue that she rather had a sympathy for women victimized by unwelcome sexual pressures.
The Self Portrait of Italian baroque artist Artemisia Gentileschi was painted in the early 1630s. It currently hangs in the Palazzo Barberini, Rome. It is one of many paintings where Gentileschi depicts herself. Beyond self-portraits, her allegorical and religious paintings often featured herself in different guises.
Self-Portrait as the Allegory of Painting, also known as Autoritratto in veste di Pittura or simply La Pittura, was painted by the Italian Baroque artist Artemisia Gentileschi. The oil-on-canvas painting measures 98.6 by 75.2 centimetres (38.8 in × 29.6 in) and was probably produced during Gentileschi's stay in England between 1638 and 1639.
Saint Catherine of Alexandra is a painting by the Italian Baroque artist Artemisia Gentileschi.It is in the collection of the Uffizi, Florence. [1] Gentileschi likely used the same cartoon or preparatory drawing to create both this painting and the Self-Portrait as Saint Catherine of Alexandria (1615–1617), now in the National Gallery, London.
Unlike other artists self-portraits of the time, Self-portrait as a Lute Player does not have direct symbolism connecting Gentileschi to being a painter, nor does it reflect her social status. [6] Mary Garrard suggests the turban on her head could be a connection to a portrait drawing of Michelangelo wearing a similar headpiece. [7]
Nona Faustine’s self-portrait series, “White Shoes,” highlights the city’s historic role in the transatlantic slave trade, as well as broader narratives about the perception of Black ...
Self-Portrait as Saint Catherine of Alexandria is a 1615–1617 painting by the Italian Baroque artist Artemisia Gentileschi, showing the artist in the guise of Catherine of Alexandria. It is now in the collection of the National Gallery, London , which purchased it in 2018 for £3.6 million, including about £2.7 million from its American ...