Search results
Results from the WOW.Com Content Network
Euripides has been hailed as a great lyric poet. [66] In Medea, for example, he composed for his city, Athens, "the noblest of her songs of praise". [67] His lyrical skills are not just confined to individual poems: "A play of Euripides is a musical whole...one song echoes motifs from the preceding song, while introducing new ones."
Helen (Ancient Greek: Ἑλένη, Helénē) is a drama by Euripides about Helen, first produced in 412 BC for the Dionysia in a trilogy that also contained Euripides' lost Andromeda. The play has much in common with Iphigenia in Tauris, which is believed to have been performed around the same time period. [1]
Alcmaeon in Corinth (Ancient Greek: Ἀλκμαίων ὁ διὰ Κορίνθου, Alkmaiōn ho dia Korinthou; also known as Alcmaeon at Corinth, Alcmaeon) is a play by Greek dramatist Euripides. It was first produced posthumously at the Dionysia in Athens, most likely in 405 BCE, in a trilogy with The Bacchae and Iphigenia in Aulis.
The play was first produced for the City Dionysia of Athens in 428 BC and won first prize as part of a trilogy. The text is extant. [1] Euripides first treated the myth in a previous play, Hippolytos Kalyptomenos (Ἱππόλυτος καλυπτόμενος – Hippolytus Veiled), which is lost, and survives only in fragments. What is known of ...
Cyclops (Ancient Greek: Κύκλωψ, Kyklōps) is an ancient Greek satyr play by Euripides, based closely on an episode from the Odyssey. [1] It is likely to have been the fourth part of a tetralogy presented by Euripides in a dramatic festival in 5th Century BC Athens, although its intended and actual performance contexts are unknown. [2]
Clinging to the altar of the sea-goddess Thetis for sanctuary, Andromache delivers the play's prologue, in which she mourns her misfortune (the destruction of Troy, the deaths of her husband Hector and their child Astyanax, and her enslavement to Neoptolemos) and her persecution at the hands of Neoptolemos' new wife Hermione and her father Menelaus, King of Sparta.
Müller described it as a description of "a landscape beyond death" that is "an overpainting of Euripides' Alcestis which quotes the Noh play Kumasaka, the Eleventh Canto of the Odyssey, and Hitchcock's The Birds." [14] The production also utilised a Japanese kyogen play whose themes parodied those of Alcestis, laser projections, a musical ...
Ambiguity: Euripides' play Heracles asks more questions than it answers. Nowhere is this more apparent than in the topic of faith. During Euripides' time, though most Greeks, like Euripides' Theseus, would have been believers, there is a strain of thinkers who questioned traditional religion and the existence of the gods, much as Heracles does in the play.