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A singularity of the female self-portrait is to find artists from princely, royal and imperial families, mainly in the 17th and 18th centuries; while the sons of noble families are destined for war or the clergy, the girls receive a thorough artistic education, in music, literature and fine arts; equipped with this background, some have become ...
Self-Portrait as the Allegory of Painting, also known as Autoritratto in veste di Pittura or simply La Pittura, was painted by the Italian Baroque artist Artemisia Gentileschi. The oil-on-canvas painting measures 98.6 by 75.2 centimetres (38.8 in × 29.6 in) and was probably produced during Gentileschi's stay in England between 1638 and 1639.
Paul Emsley was commissioned to paint the Duchess after being selected from a shortlist by Catherine herself. Catherine had announced the National Portrait Gallery as one of her official patronages in January 2012. [1] Emsley took 15 weeks to complete the painting, which was presented to the trustees of the gallery in November 2012.
A new portrait of Catherine, Princess of Wales has stoked controversy online, with some royal fans criticizing the work for its portrayal of the future British Queen. The painting, by British ...
In the earliest surviving examples of medieval and Renaissance self-portraiture, historical or mythical scenes (from the Bible or classical literature) were depicted using a number of actual persons as models, often including the artist, giving the work a multiple function as portraiture, self-portraiture and history/myth painting. In these ...
Anne Digby, Countess of Sunderland, before 1666 Elizabeth Wriothesley, Countess of Northumberland, 1669. The Windsor Beauties are a set of portrait paintings, still in the Royal Collection, by Sir Peter Lely and his workshop, produced in the early to mid-1660s, that depict ladies of the court of King Charles II, some of whom were his mistresses.
Self-Portrait is a small painting executed in oil on oak in 1548 by the Flemish Renaissance artist Catharina van Hemessen when she was 20 years old. The painting earned her a considerable reputation and is significant not only for being an early modern female portrait but also for representing an artist in the act of painting. [1]
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
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