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Various terms for the diatonic button accordion are used in different parts of the English-speaking world. In Britain and Australia, the term melodeon (Scottish Gaelic: meileòidean or am bogsa) is commonly used, [1] regardless of whether the instrument has one, two, or three rows of melody buttons.
In 1920s the special government commission took several researches and finally decided that all handicraftsmen had to unite into centralized cooperative factories (artels) and must produce only three types of button accordions: khromka, bayan (chromatic button accordion) and the Russian modification of a German bisonoric diatonic accordion ...
The diatonic button accordion is the most popular type of button accordion, and appears in many cultures, especially in folk music. [3] One popular type of diatonic button accordion is the standard, one-row button accordion. This is tuned to a diatonic, 2.5 octave scale.
The Slovenian style polka band always includes a piano accordion, chromatic accordion, or the Diatonic button accordion (also called a "button box"). Sometimes an accordion called the Half Chromatic, often abbreviated half-chrom, is used. This accordion has a right side similar to a three-row B-system chromatic accordion, but a bass side ...
The accordion is featured heavily in traditional Egyptian music, particularly baladi styles. Sometimes, certain traditional music styles may even be tied to a certain type of accordion, like the Schrammel accordion for Schrammelmusik, the Trikitixa for Basque music, or the diatonic button accordion in Mexican conjunto and norteño music. [4]
Diatonic button accordion (German make, early 20th century) The term squeezebox (also squeeze box, squeeze-box) is a colloquial expression referring to any musical instrument of the general class of hand-held bellows-driven free reed aerophones such as the accordion and the concertina.
The Schwyzerörgeli is a type of diatonic button accordion used in Swiss folk music. The name derives from the town/canton of Schwyz where it was developed. Örgeli is the diminutive form of the word Orgel (organ). Outside of Switzerland the instrument is not well known and is hard to find.
It had five or seven buttons on the right keyboard, and like in the most Western diatonic accordions it produced different sounds on pull and push. So Tula garmon had two full diatonic octaves (from C4 to C6). The left bass keyboard had two buttons. Tula garmon was a base for all the Russian diatonic bisonoric garmoshkas (Saratov, Kasimov etc.)
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