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La Question de Palestine (lit. ' The Question of Palestine ') is a series of five history books about Palestine, written by the French scholar Henry Laurens and published by Fayard from 1999 to 2015. The books are organised chronologically and cover Palestinian history from 1799 to 2001.
The United Nations Information System on the Question of Palestine (UNISPAL) is an online collection of texts of current and historical United Nations decisions and publications concerning the question of Palestine, the Israeli–Palestinian conflict and other issues related to the Middle East situation.
British Interests In Palestine, 1800-1901, Oxford University Press, 1961; Anglo-Arab Relations and The Question of Palestine, 1914-1921; Luzac, 1977; A Modern History of Syria, Including Lebanon and Palestine, Macmillan, St Martin's P., 1969; American interests In Syria, 1800-1901, Clarendon Press, 1966
Many sashiko patterns were derived from Chinese designs, but just as many were developed by native Japanese embroiderers; for example, the style known as kogin-zashi, which generally consists of diamond-shaped patterns in horizontal rows, is a distinctive variety of sashiko that was developed in Aomori Prefecture.
"Zionism from the Standpoint of Its Victims" is an essay by Palestinian-American academic Edward Said, published in 1979 as part of a broader set of writings that Said had titled The Question of Palestine. [1] It joins a broad field of scholarship that engages in investigations of the role of nationalism and imperialism across the globe. [2]
Resolution 92: The Palestine Question (8 May 1951) Resolution 93: The Palestine Question (18 May 1951) Resolution 95: The Palestine Question (1 Sep 1951) Resolution 100: The Palestine Question (27 Oct 1953) Resolution 101: The Palestine Question (24 Nov 1953) Resolution 106: The Palestine Question (29 Mar 1955) 'condemns' Israel for Gaza raid.
Tatreez, meaning ‘embroidery’ in Arabic, is used to refer to the traditional style of embroidery practiced in Palestine and Palestinian diaspora communities. The contemporary form of tatreez is often dated back to the 19th century, but the style of cross-stitch embroidery called fallahi has been practiced amongst Arab communities in the ...
It came about with difficulty and was initially focused inward, but has since grown into a distinct cultural practice. Marie Elias, in the Interactive Encyclopedia of the Palestine Question, recognizes three different stages. Palestinian theater started in the "context of a cultural renaissance" across the Levant and particularly in the 1920s ...