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The seal of Mani, the oldest known Manichaean art. Manichaeism has a rich tradition of visual art, starting with Mani himself writing the Book of Pictures. [1]One of Mani's primary beliefs was that the arts (namely painting, calligraphy, and music) were of the same esteem as the divine spirit (Middle Persian: Mihryazd), believing that the creation of art was comparable to god's creation of ...
The Birth of Mani is a Manichean silk cloth color painting painted in the Fujian Zhejiang area during the Yuan period, depicting the founder of the sect Mani The scene of birth, a scholar who specializes in Manichaeism Ma Xiaohe called it "a rare treasure". [1]
Mani's Community Established (Japanese: 圣者伝図2) is a Manichaen silk color painting drawn in the coastal area of southern China during the yuan to ming period, [1] depicts the missionary history of Manichaeism and the establishment of its churches in three scenes.
Eight silk hanging scrolls with Manichaean didactic images from southern China from between the 12th and the 15th centuries, which can be divided into four categories: Two single portraits (depicting Mani and Jesus) Icon of Mani; Manichaean Painting of the Buddha Jesus; One scroll depicting Salvation Theory (Soteriology)
Manichaeism (/ ˌ m æ n ɪ ˈ k iː ɪ z əm /; [4] in Persian: آئین مانی Āʾīn-ī Mānī; Chinese: 摩尼教; pinyin: Móníjiào) is a former major world religion, [5] founded in the 3rd century CE by the Parthian [6] prophet Mani (216–274 CE), in the Sasanian Empire.
They discovered important documents and works of art (including a magnificent wall-painting of a Manichaean bishop [mozhak], previously mistakenly identified as Mani [1]) and the remains of a Nestorian (Christian) church near ancient Khocho (Qara-khoja or Gaochang), a ruined ancient city, built of mud, 30 km (19 mi) east of Turfan. [2]
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In her book Mani's Pictures: The Didactic Images of the Manichaeans from Sasanian Mesopotamia to Uygur Central Asia and Tang-Ming China, the Hungarian-born American art historian Zsuzsanna Gulácsi, who is also a specialist in Manichaean art, explaining the possible relation between this painting and Mani's Book of Pictures. She argues that ...