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Largely taken in and around Washington between 1905 and 1945, the photos portray people, events, and architecture. [5] Many are scanned and online. [ 5 ] The City Museum of Washington, D.C. also has a large number of Harris & Ewing photographs, and others are held by the National Portrait Gallery and the Newseum . [ 2 ]
DeLancey Walker Gill (July 1, 1859 – August 31, 1940) was an American drafter, landscape painter, and photographer.Gill first became noted for his landscape illustrations and watercolors, featuring subjects such as Native American pueblos in addition to his main focus on Washington, D.C. Characterized as detailed and meticulous in his landscapes, Gill captured views of working-class and ...
Amy Elizabeth Thorpe, also known as Betty Pack, Betty Thorpe, Elizabeth Pack, and Amy Brousse; (November 22, 1910 – December 1, 1963) was an Anglo-American spy, codenamed Cynthia, who worked for British Security Coordination (BSC) which was set up in New York City in 1940 during World War II by the British Secret Intelligence Service (MI6).
Fenton's pictures during the Crimean War were one of the first cases of war photography, with Valley of the Shadow of Death considered "the most eloquent metaphor of warfare" by The Oxford Companion to the Photograph. [13] [14] [s 3] Sergeant Dawson and his Daughter: 1855 Unknown; attributed to John Jabez Edwin Mayall [15] Unknown [e] [s 1] The ...
Female factory workers in 1942, Long Beach, California. Esther Bubley's documentary photograph of a woman being taught to drive a streetcar for the Capitol Transit Company in Washington, D. C. U.S. women also performed many kinds of non-military service in organizations such as the American Red Cross and the United Service Organizations (USO ...
Washington recalled King watching the film before her death. "She laughed and she saluted the screen, and she said, 'Thank you for letting the world know that Black women contributed,' " the ...
After a public outcry and an agreement to save the historic structure, Congress authorized the Smithsonian Institution to use the structure as a museum in March 1958. [5] Shortly thereafter, the Smithsonian Art Commission asked the Chancellor of the Smithsonian to appoint a committee to organize a national portrait museum and to plan for the ...
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