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One of the first-recorded uses of this phrase was by the character Lady Macbeth in Act 3, Scene 2 of the tragedy play Macbeth (early 17th century), by the English playwright William Shakespeare, who said: "Things without all remedy Should be without regard: what's done, is done" [2] and "Give me your hand.
Macbeth was a favourite of the seventeenth-century diarist Samuel Pepys, who saw the play on 5 November 1664 ("admirably acted"), 28 December 1666 ("most excellently acted"), ten days later on 7 January 1667 ("though I saw it lately, yet [it] appears a most excellent play in all respects"), on 19 April 1667 ("one of the best plays for a stage ...
Macbeth and Banquo with the Witches by Henry Fuseli. The Three Witches first appear in Act 1, Scene 1, where they agree to meet later with Macbeth. In Act 1, Scene 3, they greet Macbeth with a prophecy that he shall be king, and his companion, Banquo, with a prophecy that he shall generate a line of kings. The prophecies have great impact upon ...
At the scene of his first act of butchery, a servant arrived at the house and knocked while he was still inside. The writer realizes murder is a "coarse and vulgar horror" when appreciated from the victim's perspective. In order to fully understand it, we must sympathize with the murderer, which is precisely what Shakespeare does in Macbeth.
Lady Macduff is a character in William Shakespeare's Macbeth. She is married to Lord Macduff, the Thane of Fife. Her appearance in the play is brief: she and her son are introduced in Act IV Scene II, a climactic scene that ends with both of them being murdered on Macbeth's orders. Though Lady Macduff's appearance is limited to this scene, her ...
today's connections game answers for wednesday, december 11, 2024: 1. utopia: paradise, seventh heaven, shangri-la, xanadu 2. things you shake: hairspray, magic 8 ...
Macbeth and Banquo with the Witches by Henry Fuseli. Banquo is in a third of the play's scenes, as both a human and a ghost. As significant as he is to the plot, he has fewer lines than the relatively insignificant Ross, a Scottish nobleman who survives the play. [12]
The boy appears in only one scene (4.2). Macduff's son is viewed as a symbol of the youthful innocence Macbeth hates and fears, and the scene has been compared by one critic to the biblical Massacre of the Innocents. He is described as an "egg" by his murderer, further emphasising on his youth before his imminent death.