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Atsuko Nishida (西田 敦子, Nishida Atsuko) is a Japanese graphic artist who previously worked at Game Freak and TOYBOX Inc. She designed a number of creatures for the Pokémon franchise, including one of the most well-known Pokémon species, the franchise's mascot Pikachu.
Psyduck made its debut appearance in the Pokémon video game series in Pokémon Red and Blue, [21] before later appearing in all mainline entries in the series. [22] It has since gone to make a variety of appearances in spin-off games, such as the Pokémon Snap series, [23] the Pokémon Mystery Dungeon series, [24] Pokémon Go, [25] and the Pokémon Rumble series.
Mimikyu (/ ˈ m iː m iː k j uː / ⓘ; Japanese: ミミッキュ, Hepburn: Mimikkyu) is a Pokémon species in Nintendo and Game Freak's Pokémon franchise. Designed by Megumi Mizutani for the 2016 video games Pokémon Sun and Moon, it is referred to as the "disguise Pokémon" in the series due to its appearance, which resembles a ragdoll form of Pikachu, the series mascot.
The original Japanese title "PiPiPi" refers to Purin, Pippi, and Pikachu, the respective Japanese names of Jigglypuff, Clefairy, and Pikachu. [1] The main character, Hazel (Maron in Japanese), sets off to catch Pokémon after a scientist named Grandpa agrees to make a love potion if she catches Pokémon. Hazel is after the heart of a boy named ...
Creatures Inc. was established on 8 November 1995, [2] with Tsunekazu Ishihara as CEO, and consisting of former staff from Ape. [8] In 2000, Hirokazu Tanaka, a.k.a. Hip Tanaka, a former Nintendo composer and sound designer, who joined Creatures in 1999, became President of the company as Ishihara went to become the President of The Pokémon Company in 2000, while still holding his CEO position ...
A high-profile violent crime typically sets social media abuzz with tips and theories from amateur internet sleuths, hunting for the alleged perpetrator. But after UnitedHealthcare CEO Brian ...
If you’re put on the spot with the expectation that your answer will be positive, refrain from automatically agreeing to a babysitting gig. Instead of saying ‘yes’ right away, your go-to ...
Charles Pulliam-Moore, writing for The Verge, described the series as "one of the first times in years that the company's landed on something truly inspired," describing the focus on real life dread while also having a cheerful atmosphere and visuals allowed the series to appeal to both old and young viewers.