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The Transfiguration is the last painting by the Italian High Renaissance master Raphael.Cardinal Giulio de Medici – who later became Pope Clement VII (in office: 1523–1534) – commissioned the work, conceived as an altarpiece for Narbonne Cathedral in France; Raphael worked on it in the years preceding his death in 1520. [1]
The floating Christ inevitably recalled the composition of depictions of his Resurrection and Ascension, an association which Raphael and later artists were happy to exploit for effect. [9] Raphael's last painting, "Transfiguration of Jesus", is a masterpiece that reflects his mastery of Renaissance painting techniques.
God the Father and the Virgin Mary: Museo di Capodimonte, Naples, Italy: Tempera on panel 110 x 73 1501–1502: Saint Sebastian: Accademia Carrara di Belle Arti di Bergamo, Italy: Oil on panel 45,1 x 36,5 c. 1502: Saint Francis of Assisi (Raphael) [Wikidata] Dulwich Picture Gallery, London, United Kingdom: Oil on panel 25 x 16 c. 1502:
The Marriage of the Virgin, also known as Lo Sposalizio, is an oil painting by the Italian High Renaissance artist Raphael.Completed in 1504 for the Franciscan church of San Francesco, Città di Castello, the painting depicts a marriage ceremony between Mary and Joseph.
Pages in category "Paintings of the Transfiguration of Jesus" The following 12 pages are in this category, out of 12 total. ... Transfiguration (Raphael) S ...
It depicts Mary embracing the Christ child while sitting in a chair as the young John the Baptist devoutly watches. The Madonna della Sedia is one of the single most important of Raphael's Madonnas. The painting also showcases Raphael's use of the tondo form and his naturalistic approach to depicting the Madonna. [2]
Christ Falling on the Way to Calvary, also known as Lo Spasimo or Il Spasimo di Sicilia, is a painting by the Italian High Renaissance painter Raphael, of c. 1514–16, [1] now in the Museo del Prado in Madrid. It is an important work for the development of his style.
It returned to Italy in 1815, and thenceforth it has been exhibited at the Vatican Museums' art gallery. According to art historian Giovanni Battista Cavalcaselle, Raphael, then an assistant of Perugino, had a major role in the execution of the Resurrection. This opinion is however generally rejected by most other art historians.