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Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
Op art, short for optical art, is a style of visual art that uses optical illusions. [1] Op artworks are abstract, with many better-known pieces created in black and white. Typically, they give the viewer the impression of movement, hidden images, flashing and vibrating patterns, or swelling or warping.
Allen was also a talented printmaker. He consistently made graphics alongside his painting and drawing. These works included Silk Screen Op art graphics back in the 60s, the "Iconocross" series of black cross derived prints, brightly coloured silk screens and Geometric abstraction, and a small edition of "White Painting" Lithographs.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
[36] [39] [5] In 2007, Sillman began creating large gestural abstract paintings based on black-and-white drawings she made from observing couple friends in casual moments of domestic intimacy. [5] [40] [4] She recreated the original drawings from memory, then rotated and reworked them into abstract painting "templates." The paintings consisted ...
Trois crayons (French: [tʁwɑ kʁɛjɔ̃]; English: "three pencils") is a drawing technique using three colors of chalk: red , black (a type of schist), and white. The paper used may be a mid-tone such as grey, blue, or tan. [ 1 ]
The Art of Richard Diebenkorn, with essays by John Elderfield, Ruth E. Fine, and Jane Livingston. The Whitney Museum of American Art, 1997, ISBN 0-520-21257-6; De Antonio, Emile and Tuchman, Mitchell. Painters Painting A Candid History of The Modern Art Scene, 1940–1970, Abbeville Press 1984, ISBN 0-89659-418-1
Kline, Painting Number 2, 1954, The Museum of Modern Art Franz Kline (May 23, 1910 – May 13, 1962) was an American painter. He is associated with the Abstract Expressionist movement of the 1940s and 1950s.
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